Semiotics of the media : state of the art, projects, and perspectives /

Semiotics of the media : state of the art, projects, and perspectives / edited by Winfried Nöth.

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Bibliographic Details
Other Authors: Nöth, Winfried (Editor)
Format: Book
Language:English
Published: Berlin ; New York, N.Y. : Mouton de Gruyter, 1997.
Series:Approaches to semiotics.
Subjects:
Mass media > Semiotics

MARC

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245 0 0 |a Semiotics of the media :  |b state of the art, projects, and perspectives /  |c edited by Winfried Nöth. 
264 1 |a Berlin ;  |a New York, N.Y. :  |b Mouton de Gruyter,  |c 1997. 
300 |a ix, 896 pages :  |b illustrations ;  |c 24 cm. 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
490 1 |a Approaches to semiotics 
504 |a Includes bibliographical references and index. 
505 0 0 |t Introduction --  |t Media and self-reference: The forgotten initial state --  |t Media between Balnibarbi and Plato's Cave --  |t The multimediation of the lifeworld --  |t The sign as medium, the medium relation as the foundation of the sign --  |t Semiosis of the mass media: Modeling a complex process --  |t The media contract --  |t Semiotics and ethics: The image of semiotics and semiotics of the image --  |t The prephotographic, the photographic, and the postphotographic image --  |t Can pictures lie? --  |t On the semiotics of the image and the computer image --  |t Pictorial metaphor in commercial advertising --  |t Representation and legitimacy: A semiotic approach to the logo --  |t Indexical/iconic tensions: The semiotics of the postage stamp --  |t Combining the information of maps and other media while hiking --  |t The delay of the cinema age --  |t The dialectic of the sign or journeys to Cape Fear --  |t Natural born killers: Rhythms of the filmic image and styles of violence --  |t "How did you find us?" - "We read the script!": A special case of self-reference in the movies --  |t Words created in their own image --  |t Discursive stupidity: Abduction and comic in "Monty Python's Flying Circus": From Peirce to Freud --  |t The semiotics of eating and orality in the movies --  |t Star images: Questions for semiotic analysis --  |t Film acting and gender: Method acting and the male tantrum --  |t On some aspects of intermedial film transfer --  |t Media shift and intertextual reference --  |t Death and rebirth of the author: On a specific case of an intermedial chiasmus between literature and film --  |t Television: The semiotic phenomenology of communication and the image --  |t Where is the subject in the macromedia? The question of zapping --  |t The surrogate audience: Ostension of spectator response in televised shows --  |t Liquid images: A semiotic analysis of on-air promotion and TV design of TV stations --  |t Foreshadowing virtual reality in narrative and film --  |t TV is dead, video is born: Dialogue and new intermedia communication --  |t Audience participation games: Consideration for parties other than the actual participant --  |t Objects and the world metaphor: A semiotic engineering approach --  |t Semiotics of computer media in architecture --  |t "Electronic communities" as social worlds: Toward a sociosemiotic analysis of computer mediated interpersonal communication --  |t The cold warmth of communication in computer networks --  |t Semiosis at computer media --  |t Hypertextuality and multimedia literature --  |t Linguistic orientation in computational space --  |t Principles of spatialization in text and hypertext --  |t The medium is the memory: Ars memoriae in its age of technical reproducibility --  |t The role of memory in the contemporary acceleration of cultural proliferation --  |t Listening to the virtual past --  |t The museum as a political media: A semiological assault --  |t The museum as semiotic frame: "Degenerate art" in the thirties and the nineties --  |t Western heritage and its autres: Cowboys and Indians, facts, and fictions --  |t Innovation, gainful learning, and habits in the aesthetics of media --  |t Deep structure and design configurations in paintings --  |t Architecture as a mass medium? --  |t Poems on the bus: Some practical aspects of the reception of poetry in the mass media --  |t The form of the media: The intermediality of visual poetry --  |t Poetic aspects of a multimedia text --  |t Graphic notation and musical graphics: The nonnotational sign systems in new music and its multimedial character --  |t Divination as a mass media event --  |t Media, death, and democracy --  |t Myth of the Occident and its manifestations in the Chinese media --  |t Media coverage of the unreasonable in the land of hyper-reason --  |t The media and logic of concrete action in the "housekeeping" press --  |t The desire of "crises": An occidental way of existing --  |t Invitation of travel: The window-shop relationship in the communication of fashion --  |t Nonverbal signs in an intercultural business negotiation --  |t Appendix --  |t Index of names --  |t Index of subjects. 
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700 1 |a Nöth, Winfried,  |e editor.  |9 1164151 
830 0 |a Approaches to semiotics.  |9 1030539 
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