Theories of modern art : a source book by artists and critics / Herschel B. Chipp [with] contributions by Peter Selz and Joshua C. Taylor.
Herschel B. Chipp's 'Theories of Modern Art: A Source Book By Artists and Critics' is a collection of texts from letters, manifestos, notes and interviews. Sources include, as the title says, artists and critics - some expected, like van Gogh, Gauguin, Apollinaire, Mondrian, Greenberg...
Saved in:
Main Authors: | , , |
---|---|
Format: | Book |
Language: | English |
Published: |
Berkeley ; London :
University of California Press,
1968.
|
Series: | California studies in the history of art.
|
Subjects: |
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
005 | 20221101184033.0 | ||
008 | 851114s19681996cauac b 001 0 eng d | ||
010 | |a 68012038 | ||
011 | |a BIB MATCHES WORLDCAT | ||
020 | |a 0520052560 | ||
020 | |a 9780520052567 | ||
020 | |a 0520014502 |q pbk. | ||
020 | |a 9780520014503 |q pbk. | ||
035 | |a (ATU)b10108865 | ||
035 | |a (OCoLC)1029913 | ||
040 | |a DLC |b eng |e rda |c DLC |d MUQ |d NLGGC |d BTCTA |d YDXCP |d OCLCQ |d OCLCG |d SINLB |d VVW |d CWS |d ALAUL |d UKWOH |d CQU |d OG# |d OH@ |d BDX |d OCLCA |d ATU | ||
050 | 0 | 0 | |a N6450 |b .C62 1968 |
050 | 1 | 4 | |a R709.034 T |
082 | 0 | 0 | |a 709.034 |
100 | 1 | |a Chipp, Herschel Browning |e author. |9 278300 | |
245 | 1 | 0 | |a Theories of modern art : |b a source book by artists and critics / |c Herschel B. Chipp [with] contributions by Peter Selz and Joshua C. Taylor. |
264 | 1 | |a Berkeley ; |a London : |b University of California Press, |c 1968. | |
300 | |a xv, 664 pages : |b illustrations, portraits ; |c 23 cm. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
490 | 1 | |a California studies in the history of art | |
504 | |a Includes bibliographical references (pages 627-651) and index. | ||
505 | 0 | |a GENERAL INTRODUCTION --- I. POST-IMPRESSIONISM: Individual Paths to Construction and Expression. 1. Introduction: The Letters of Cézanne -- 2. Paul Cézanne: Excerpts from the Letters -- 3. Introduction: The Lettters of van Gogh -- 4. Vincent van Gogh: Excerpts from the Letters --- II. SYMBOLISM AND OTHER SUBJECTIVIST TENDENCIES: Form and the Evocation of Feeling. 5. Introduction: Gauguin and Other Subjectivists -- 6. Paul Gauguin: Synthetist Theories -- 7. Gauguin: On His Paintings -- 8. Gauguin: On Primitivism -- 9. Symbolist Theories --- III. FAUVISM AND EXPRESSIONISM: The Creative Intuition. 10. Introduction by Peter Selz -- 11. Fauvism -- 12. Expressionism --- IV. CUBISM: Form as Expression. 13. Introduction --- V. FUTURISM: Dynamism as the Expression of the Modern World. 14. Introductoin by Joshua C. Taylor --- VI. NEOPLASTICISM AND CONSTRUCTIVISM: Abstract and Nonobjective Art. 15. Introduction --- VII. DADA, SURREALISM, AND SCUOLA METAFISICA: The Irrational and the Dream. 16. Introduction: Dada and Surrealsism -- 17. Dada -- 18. Surrealism -- 19. Introduction: Scuola Metafisica by Joshua C. Taylor --- VIII. ART AND POLITICS: The Artist and the Social Order. 20. Introduction by Peter Selz --- IX. CONTEMPORARY ART: The Autonomy of the Work of Art. 21. Introduction: The Americans -- 22. Introduction: The Europeans --- APPENDIX. | |
520 | |a Herschel B. Chipp's 'Theories of Modern Art: A Source Book By Artists and Critics' is a collection of texts from letters, manifestos, notes and interviews. Sources include, as the title says, artists and critics - some expected, like van Gogh, Gauguin, Apollinaire, Mondrian, Greenberg, just to name a few - and some less so: Trotsky and Hitler, in the section on Art and Politics. The book is a wonderful resource and insight into the way artists think and work. | ||
588 | |a Machine converted from AACR2 source record. | ||
650 | 0 | |a Art, Modern |y 19th century |x History |9 341927 | |
650 | 0 | |a Art, Modern |y 20th century |x History |9 314053 | |
700 | 1 | |a Selz, Peter, |d 1919- |e author. |9 311844 | |
700 | 1 | |a Taylor, Joshua C. |q (Joshua Charles), |d 1917-1981 |e author. |9 276385 | |
830 | 0 | |a California studies in the history of art. |9 1035892 | |
907 | |a .b10108865 |b 06-09-21 |c 27-10-15 | ||
942 | |c B | ||
945 | |a 709.034 CHI |g 1 |i A480454B |j 0 |l cmain |o - |p $40.45 |q - |r - |s - |t 0 |u 8 |v 1 |w 0 |x 4 |y .i13329467 |z 29-10-15 | ||
952 | |0 0 |1 0 |4 0 |6 709_034000000000000_CHI |7 0 |9 357643 |a C |b C |c cmain |d 2015-10-29 |g 40.45 |i i13329467 |l 8 |m 1 |o 709.034 CHI |p A480454B |r 2024-01-09 11:48:25 |s 2017-07-15 |t 1 |v 40.45 |w 2021-10-31 |y B | ||
998 | |a b |a c |b 06-04-16 |c m |d a |e - |f eng |g cau |h 0 | ||
999 | |c 1105607 |d 1105607 |