The artist in the modern world : the conflict between market and self-expression / Oskar Bätschmann.
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| Format: | Book |
| Language: | English German |
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New Haven, Conn. :
Yale University Press,
[1997]
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Table of Contents:
- Foreword
- Introduction
- I. The Exhibition as a Medium for the Presentation of Art
- Institutionalizing Exhibitions
- Satisfying Public Taste
- Public Patronage
- Exhibition Pieces
- The Business of Exhibitions
- French Exhibition Pieces in England
- The Problems of Critics and Artists
- II. Freedom and the Social Function of the Artist
- The Open Exhibition, the Artist Liberated
- Freedom and Legitimation
- Social Legitimation, the Advantages of the Avantgarde
- Nostalgic Visions of the Artist
- III. The Cult of the Artist
- Retrospectives and Personal Museums, West and Canova
- The Cult of the Dead Genius, Thorvaldsen's Museum
- The Studio as the Centre of a Cult
- The Cult of the Tragic Artist, Death and Suicide in the Studio
- The Studio and the Sketch
- Apotheoses
- Self-Portraits
- IV. Strategies and Careers
- Arranging a Scandal
- Aggressions and Attack
- Group Strategies
- Social Exiles and Prophets
- L'Union des Femmes Peintres et Sculpteurs
- A Messianic Artists Colony
- V. Rebellions and the Power of Art
- Hostility between Artists and the Public
- Back to the Power of the Picture
- Social and Mystical Legitimations
- The Exhibition as a Work of Art
- Civilized Rebels, The Irascibles
- The Power of the Image, the Sublime
- VI. Art for Exhibition
- Policy and Politics
- The Performance of the Clowns
- Everyman Shaman
- The Exhibition Maker as Star
- In-Art and Out-Art
- Art = Capital
- Designing Experience, Installations
- Notes to Chapter I-VI
- Select Bibliography
- List of Illustrations
- Sources of Illustrations
- Index.