Interpreting the moving image / Noël Carroll.

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Bibliographic Details
Main Author: Carroll, Noël (Author)
Format: Book
Language:English
Published: Cambridge ; New York, NY : Cambridge University Press, 1998.
Series:Cambridge studies in film.
Subjects:

MARC

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082 0 |a 791.43 
100 1 |a Carroll, Noël  |q (Noël E.),  |e author. 
245 1 0 |a Interpreting the moving image /  |c Noël Carroll. 
264 1 |a Cambridge ;  |a New York, NY :  |b Cambridge University Press,  |c 1998. 
300 |a xviii, 370 pages ;  |c 24 cm. 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
490 1 |a Cambridge studies in film 
504 |a Includes bibliographical references (pages 333-358) and index. 
505 0 0 |t Introduction --  |g 1.  |t The cabinet of Dr. Kracauer --  |g 2.  |t Entr'acte, Paris and Dada --  |g 3.  |t The Gold Rush --  |g 4.  |t Keaton: film acting as action --  |g 5.  |t Buster Keaton, The General and visible intelligibility --  |g 6.  |t For God and Country --  |g 7.  |t Lang, Pabst and Sound --  |g 8.  |t Notes on Dreyer's Vampyr --  |g 9.  |t King Kong: ape and essence --  |g 10.  |t Becky Sharp takes over --  |g 11.  |t Interpreting Citizen Kane --  |g 12.  |t Mind, medium and metaphor in Harry Smith's Heaven and Earth Magic --  |g 13.  |t Welles and Kafka --  |g 14.  |t Nothing But A Man and The Cool World --  |g 15.  |t Identity and difference: from ritual symbolisim to condensation in Anger's Inauguration of the Pleasure Dome --  |g 16.  |t Text of Light --  |g 17.  |t Joan Jonas: making the image visible --  |g 18.  |t Introduction to Journeys from Berlin /1971 --  |g 19.  |t The future of allusion: Hollywood in the seventies (and Beyond) --  |g 20.  |t Back to basics --  |g 21.  |t Amy Taubin's bag --  |g 22.  |t Herzog, presence and paradox --  |g 23.  |t Film in the age of postmodernism. 
588 |a Machine converted from AACR2 source record. 
650 0 |a Motion pictures  |9 321128 
830 0 |a Cambridge studies in film.  |9 1037007 
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