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|a PN1996.
|b V27 1998
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|a 808.23
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|a Vale, Eugene
|e author.
|9 1019883
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|a Vale's technique of screen and television writing /
|c Eugene Vale.
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|a Technique of screen and television writing
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246 |
3 |
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|a Screen and television writing
|
250 |
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|a Revised edition.
|
264 |
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1 |
|a Boston :
|b Focal Press,
|c [1998]
|
264 |
|
4 |
|c ©1998
|
300 |
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|a xi, 217 pages ;
|c 24 cm
|
336 |
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|a text
|b txt
|2 rdacontent
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|a unmediated
|b n
|2 rdamedia
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|a volume
|b nc
|2 rdacarrier
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500 |
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|a Revised edition of: The technique of screen & television writing. c1982.
|
500 |
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|a Includes index.
|
505 |
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|t Acknowledgments --
|t Foreword --
|t Introduction: The Exciting New Media --
|g Pt. I.
|t The Form --
|g 1.
|t The Film and TV Language --
|g 2.
|t The Sources of Information --
|g 3.
|t Enlargement and Composition --
|g 4.
|t The Scene --
|g 5.
|t Selection of Information --
|g 6.
|t Division of Knowledge --
|g 7.
|t Three Types of Storytelling --
|g Pt. II.
|t The Dramatic Construction --
|g 8.
|t Characterization --
|g 9.
|t Transition of Action --
|g 10.
|t Disturbance and Adjustment --
|g 11.
|t Main Intentions and Subintentions --
|g 12.
|t The Effect upon the Audience --
|g 13.
|t Television, Cable and Pay TV, Video, Satellite Broadcasts --
|g Pt. III.
|t The Story --
|g 14.
|t From Idea to Final Form --
|g 15.
|t How to Choose Story Material --
|g 16.
|t Understandability, Probability, Identification --
|g 17.
|t Story Content --
|g 18.
|t The Writing of the Script --
|g 19.
|t The Young Filmmakers --
|g 20.
|t The Daring Conviction --
|t Glossary --
|t Appendix: Screenplay Format --
|t Index --
|t About the Author.
|
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|a Machine converted from AACR2 source record.
|
650 |
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|a Motion picture authorship
|9 321112
|
650 |
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|a Television authorship
|9 324934
|
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|i Revision of:
|a Vale, Eugene.
|t Technique of screen & television writing.
|
907 |
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|a .b10211445
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