Inside the white cube : the ideology of the gallery space / Brian O'Doherty ; introduction by Thomas McEvilley.
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| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Berkeley :
University of California Press,
1999.
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| Edition: | Expanded ed. |
| Subjects: |
Table of Contents:
- Acknowledgments
- Introduction
- I.. Notes on the Gallery Space
- A Fable of Horizontal and Vertical
- Modernism
- The Properties of the Ideal Gallery
- The Salon
- The Easel Picture
- The Frame as Editor
- Photography
- Impressionism
- The Myth of the Picture Plane
- Matisse
- Hanging
- The Picture Plane as Simile
- The Wall As Battleground and "Art"
- The Installation Shot
- II.. The Eye and the Spectator
- Another Fable
- Five Blank Canvasses
- Paint, Picture Plane, Objects
- Cubism and Collage
- Space
- The Spectator
- The Eye
- Schwitters's Merzbau
- Schwitters's Performances
- Happenings And Environments
- Kienholz, Segal, Kaprow
- Hanson, de Andrea
- Eye, Spectator, and Minimalism
- Paradoxes of Experience
- Conceptual and Body Art
- III.. Context as Content
- The Knock at the Door
- Duchamp's Knock
- Ceilings
- 1,200 Bags of Coal
- Gestures and Projects
- The Mile of String
- Duchamp's "Body"
- Hostility to the Audience
- The Artist and the Audience
- The Exclusive Space
- The Seventies
- The White Wall
- The White Cube
- Modernist Man
- The Utopian Artist
- Mondrian's Room
- Mondrian, Duchamp, Lissitzky
- IV.. The Gallery as a Gesture
- Yves Klein's Le Vide
- Arman's Le Plein
- Warhol's Airborne Pillows
- Buren's Sealed Gallery
- Barry's Closed Gallery
- Les Levine's White Light
- The Christos' Wrapped Museum
- Afterword.