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|a 338.47700973
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|a Caves, Richard E.,
|e author.
|9 229204
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| 245 |
1 |
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|a Creative industries :
|b contracts between art and commerce /
|c Richard E. Caves.
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| 264 |
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1 |
|a Cambridge, Mass. ;
|a London :
|b Harvard University Press,
|c 2000.
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| 300 |
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|a ix, 454 pages ;
|c 25 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages 371-447) and index.
|
| 505 |
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|t Introduction: Economic Properties of Creative Activities --
|g Part I.
|t Supplying Simple Creative Goods --
|g 1.
|t Artists as Apprentices --
|g 2.
|t Artists, Dealers, and Deals --
|g 3.
|t Artist and Gatekeeper: Trade Books, Popular Records, and Classical Music --
|g 4.
|t Artists, Starving and Well-Fed --
|g Part II.
|t Supplying Complex Creative Goods --
|g 5.
|t The Hollywood Studios Disintegrate --
|g 6.
|t Contracts for Creative Products: Films and Plays --
|g 7.
|t Guilds, Unions, and Faulty Contracts --
|g 8.
|t The Nurture of Ten-Ton Turkeys --
|g 9.
|t Creative Products Go to Market: Books and Records --
|g 10.
|t Creative Products Go to Market: Films --
|g Part III.
|t Demand for Creative Goods --
|g 11.
|t Buffs, Buzz, and Educated Tastes --
|g 12.
|t Consumers, Critics, and Certifiers --
|g 13.
|t Innovation, Fads, and Fashions --
|g Part IV.
|t Cost Conundrums --
|g 14.
|t Covering High Fixed Costs --
|g 15.
|t Donor-Supported Nonprofit Organizations in the Performing Arts --
|g 16.
|t Cost Disease and Its Analgesics --
|g Part V.
|t The Test of Time --
|g 17.
|t Durable Creative Goods: Rents Pursued through Time and Space --
|g 18.
|t Payola --
|g 19.
|t Organizing to Collect Rents: Music Copyrights --
|g 20.
|t Entertainment Conglomerates and the Quest for Rents --
|g 21.
|t Filtering and Storing Durable Creative Goods: Visual Arts --
|g 22.
|t New versus Old Art: Boulez Meets Beethoven --
|t Epilogue.
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|a Arts
|x Economic aspects
|z United States
|x History
|y 20th century.
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