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|a PN1995.
|b P499 1995
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|a 791.43
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| 245 |
0 |
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|a Philosophy and film /
|c edited and with an introduction by Cynthia A. Freeland and Thomas E. Wartenberg.
|
| 264 |
|
1 |
|a New York :
|b Routledge,
|c [1995]
|
| 264 |
|
4 |
|c ©1995
|
| 300 |
|
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|a 258 pages ;
|c 24 cm
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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|b n
|2 rdamedia
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|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
|
| 505 |
0 |
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|t Acknowledgments --
|t Preface --
|t Introduction --
|g 1.
|t The Thought of Movies --
|g 2.
|t Provocations and Justifications of Film --
|g 3.
|t Morals for Method --
|g 4.
|t Towards an Ontology of the Moving Image --
|g 5.
|t Missing Mothers/Desiring Daughters: Framing the Sight of Women --
|g 6.
|t Failures of Marriage in Sea of Love (The Love of Men, the Respect of Women) --
|g 7.
|t Realist Horror --
|g 8.
|t Black Cupids, White Desires: Reading the Representation of Racial Difference in Casablanca and Ghost --
|g 9.
|t An Unlikely Couple: The Significance of Difference in White Palace --
|g 10.
|t 2001: Modern Art, and Modern Philosophy --
|g 11.
|t Spike Lee's Morality Tales --
|g 12.
|t Passing in Europa, Europa: Escape into Estrangement --
|g 13.
|t The Politics of Interpretation: The Case of Bergman's Persona --
|t Index --
|t Contributors.
|
| 588 |
|
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|a Machine converted from AACR2 source record.
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| 650 |
|
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|a Motion pictures
|x Philosophy
|9 370763
|
| 700 |
1 |
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|a Freeland, Cynthia A.,
|e editor,
|e writer of supplementary textual content.
|9 1024918
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| 700 |
1 |
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|a Wartenberg, Thomas E.,
|e editor,
|e writer of supplementary textual content.
|9 1024920
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