Philosophy and film / edited and with an introduction by Cynthia A. Freeland and Thomas E. Wartenberg.
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Other Authors: | , |
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Format: | Book |
Language: | English |
Published: |
New York :
Routledge,
[1995]
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Subjects: |
Table of Contents:
- Acknowledgments
- Preface
- Introduction
- 1. The Thought of Movies
- 2. Provocations and Justifications of Film
- 3. Morals for Method
- 4. Towards an Ontology of the Moving Image
- 5. Missing Mothers/Desiring Daughters: Framing the Sight of Women
- 6. Failures of Marriage in Sea of Love (The Love of Men, the Respect of Women)
- 7. Realist Horror
- 8. Black Cupids, White Desires: Reading the Representation of Racial Difference in Casablanca and Ghost
- 9. An Unlikely Couple: The Significance of Difference in White Palace
- 10. 2001: Modern Art, and Modern Philosophy
- 11. Spike Lee's Morality Tales
- 12. Passing in Europa, Europa: Escape into Estrangement
- 13. The Politics of Interpretation: The Case of Bergman's Persona
- Index
- Contributors.