Aesthetics of film / Jacques Aumont [and others] ; translated and revised by Richard Neupert.
Saved in:
| Main Author: | |
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| Other Authors: | |
| Format: | Book |
| Language: | English French |
| Published: |
Austin :
University of Texas Press,
1992.
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| Edition: | First edition. |
| Series: | Texas film studies series.
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| Subjects: |
MARC
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| 100 | 1 | |a Aumont, J. |q (Jacques), |e author. |9 231150 | |
| 245 | 1 | 0 | |a Aesthetics of film / |c Jacques Aumont [and others] ; translated and revised by Richard Neupert. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Austin : |b University of Texas Press, |c 1992. | |
| 300 | |a x, 269 pages : |b illustrations ; |c 24 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Texas film studies series | |
| 504 | |a Includes bibliographical references (pages 253-259) and index. | ||
| 505 | 0 | 0 | |t Translator's Note -- |t Introduction -- |t Typologies of Written Work on the Cinema -- |t The Popular Press -- |t Publications Directed at Cinephiles -- |t Theoretical and Aesthetic Writings -- |t Theories of the Cinema and Aesthetics of the Cinema -- |t An Indigenous Theory -- |t A Descriptive Theory -- |t Film Theory and Aesthetics -- |t Theory of the Cinema and Technical Practice -- |t Film Theories1. Film as Audiovisual Representation -- |t Film Space -- |t Techniques of Depth -- |t Perspective Depth of Field -- |t The Concept of the Shot -- |t The Cinema as Audio Representation -- |t The Economic-Technical Factors and Their History Aesthetic and Ideological Factors2. Montage -- |t The Principle of Editing -- |t The Objects of Editing -- |t Modes of Action in Editing -- |t Montage: The Large Definition of Editing -- |t The Functions of Montage -- |t The Empirical Approach -- |t Toward More Systematic Description -- |t Ideologies of Montage -- |t Andre Bazin and the Cinema of Transparency -- |t S. M. Eisenstein and the Dialectical Cinema3. Cinema and Narration -- |t Narrative Cinema -- |t The Cinema Encounters Narration -- |t Non-narrative Cinema: A Difficult Boundary -- |t Narrative Cinema: Objects and Objectives of Film Study -- |t The Fiction Film -- |t Every Film Is a Fiction Film -- |t The Problem of the Referent -- |t Narrative, Narration, and Diegesis -- |t Narrative Codes, Functions, and Characters -- |t Realism in the Cinema -- |t Realism and the Materials of Expression -- |t The Realism of Film Subject Matter -- |t The Plausible -- |t The Genre Effect -- |t The Impression of Reality4. Cinema and Language -- |t Film Language -- |t An Ancient Notion -- |t The First Theorists -- |t The Film Grammars -- |t The Classical Conception of Language -- |t A Language without -- |t Signs -- |t The Cinema: Language or Language System?Film Language and Language System(s)Film's Intelligibility -- |t The Heterogeneity of Film Language -- |t The Materials of Expression -- |t The Concept of Code in Semiology -- |t The Codes Specific to the Cinema -- |t Nonspecific Codes -- |t The Textual Analysis of Film -- |t The Concept of Film Text in Language and Cinema -- |t Case Study: The Textual System of D. W Griffith's Intolerance The Notion of Text in Literary Semiotics -- |t The Originality and Consequence of Textual Analysis5. Film and Its Spectator -- |t The Film Spectator -- |t The Conditions of the Representative Illusion -- |t The "Working" of the Spectator -- |t Filmology's Spectator -- |t The Film Spectator as Imaginary Person -- |t A New Approach to the Film Spectator -- |t The Film Spectator and Identification in Film The Role of Identification in the Formation of the Ego Identification as Narcissistic Regression -- |t Double Identification in the Cinema -- |t Primary Identification in the Cinema -- |t Secondary Identification in the Cinema -- |t Identification and Structure -- |t Identification and Enunciation -- |t The Film Spectator and the Psychoanalytic Subject -- |t Feminist Theory and the Spectator -- |t Conclusion Notes -- |t Bibliography -- |t Index. |
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| 730 | 0 | |a Esthétique du film. |l English. | |
| 830 | 0 | |a Texas film studies series. |9 238280 | |
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