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|a N72.T68
|b U57 1999
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|a 306.47
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| 245 |
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|a Unpacking culture :
|b art and commodity in colonial and postcolonial worlds /
|c edited by Ruth B. Phillips and Christopher B. Steiner.
|
| 264 |
|
1 |
|a Berkeley :
|b University of California Press,
|c [1999]
|
| 264 |
|
4 |
|c ©1999
|
| 300 |
|
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|a xv, 424 pages :
|b illustrations ;
|c 24 cm
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
|
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|a volume
|b nc
|2 rdacarrier
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| 504 |
|
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|a Includes bibliographical references (pages 373-406) and index.
|
| 505 |
0 |
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|t List of Illustrations --
|t Preface --
|g 1.
|t Art, Authenticity, and the Baggage of Cultural Encounter --
|g 2.
|t My Father's Business --
|g Pt. 1.
|t Constructing the other: Production as Negotiation --
|g 3.
|t Nuns, Ladies, and the "Queen of the Huron": Appropriating the Savage in Nineteenth-Century Huron Tourist Art --
|g 4.
|t Tourist Art as the Crafting of Identity in the Sepik River (Papua New Guinea) --
|g 5.
|t Samburu Souvenirs: Representations of a Land in Amber --
|g Pt. 2.
|t Authenticity: The Problem of Mechanical Reproduction --
|g 6.
|t Authenticity, Repetition, and the Aesthetics of Seriality: The Work of Tourist Art in the Age of Mechanical Reproduction --
|g 7.
|t Northwest Coast Totem Poles --
|g 8.
|t Master, Machine, and Meaning: Printed Images in Twentieth-Century India --
|g Pt. 3.
|t Artistic Innovation and the Discourses of Identity --
|g 9.
|t Elizabeth Hickox and Karuk Basketry: A Case Study in Debates on Innovation and Paradigms of Authenticity --
|g 10.
|t Threads of Tradition, Threads of Invention: Unraveling Toba Batak Women's Expressions of Social Change --
|g 11.
|t Drawing (upon) the Past: Negotiating Identities in Inuit Graphic Arts Production --
|g Pt. 4.
|t (Re)fashioning Gender and Stereotype in Touristic Production --
|g 12.
|t Gender and Sexuality in Mangbetu Art --
|g 13.
|t Defining Lakota Tourist Art, 1880-1915 --
|g 14.
|t Studio and Soiree: Chinese Textiles in Europe and America, 1850 to the Present --
|g 15.
|t The Indian Fashion Show --
|g Pt. 5.
|t Collecting Culture and Cultures of Collecting --
|g 16.
|t Tourism and Taste Cultures: Collecting Native Art in Alaska at the Turn of the Twentieth Century --
|g 17.
|t Tourism Is Overrated: Pueblo Pottery and the Early Curio Trade, 1880-1910 --
|g Pt. 6.
|t Staging Tourist Art: Contexts for Cultural Conservation --
|g 18.
|t Indian Villages and Entertainments: Setting the Stage for Tourist Souvenir Sales --
|g 19.
|t Art, Tourism, and Cultural Revival in the Marquesas Islands --
|t Epilogue: Ethnic and Tourist Arts Revisited --
|t Notes --
|t References --
|t Contributors --
|t Index.
|
| 588 |
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|a Machine converted from AACR2 source record.
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| 650 |
|
0 |
|a Tourism and art
|9 325146
|
| 650 |
|
0 |
|a Art and society
|9 314091
|
| 650 |
|
0 |
|a Art
|x Economic aspects
|9 797362
|
| 700 |
1 |
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|a Phillips, Ruth B.
|q (Ruth Bliss),
|d 1945-
|e editor.
|9 407976
|
| 700 |
1 |
|
|a Steiner, Christopher Burghard,
|e editor.
|9 1042148
|
| 907 |
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