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|a N6538.N5
|b P68 1999
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|a 704.03960730074
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1 |
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|a Powell, Richard J.,
|d 1953-
|e author.
|9 236671
|
245 |
1 |
0 |
|a To conserve a legacy :
|b American art from historically Black colleges and universities /
|c Richard J. Powell, Jock Reynolds ; with an introduction by Kinshasha Holman Conwill.
|
264 |
|
1 |
|a Andover, Mass. :
|b Addison Gallery of American Art ;
|a New York :
|b The Studio Museum in Harlem,
|c 1999.
|
264 |
|
2 |
|a Cambridge, Mass. :
|b Distributed by MIT Press
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300 |
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|a 240 pages :
|b illustrations (some colour) ;
|c 31 cm
|
336 |
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|a text
|b txt
|2 rdacontent
|
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|
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|a unmediated
|b n
|2 rdamedia
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|a volume
|b nc
|2 rdacarrier
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500 |
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|a Catalog of a traveling exhibition held at the Studio Museum of Harlem, Mar. 17-June 27, 1999 and the Addison Gallery of American Art, July-Oct., 1999 and other institutions.
|
505 |
0 |
0 |
|t Acknowledgments --
|t Introduction --
|t Profiles of the Participating Historically Black Colleges and Universities --
|t Clark Atlanta University Art Galleries, Clark Atlanta University, Atlanta, Georgia --
|t Fisk University Galleries and Collections, Fisk University, Nashville, Tennessee --
|t Hampton University Museum, Hampton University, Hampton, Virginia --
|t Howard University Gallery of Art, Howard University, Washington, D.C. --
|t North Carolina Central University Art Museum, North Carolina Central University, Durham, North Carolina --
|t Tuskegee University, Tuskegee, Alabama --
|t Conserving a Legacy: Forging a Partnership --
|t To Conserve a Legacy: American Art from Historically Black Colleges and Universities --
|t Conservation and Photographic Archives --
|t Painters Painting, Conservators Conserving: The Laying on of Many Hands --
|t Lux, Lies, and Compromise: The Politics of Light Exposure --
|t Preserving the Cyanotype: Unlimited Access and Exhibition through Digital Image Surrogates --
|t Laurel and Hardship: The Tales of Two Picture Frames --
|t The Hampton Camera Club --
|t Chronicling Tuskegee in Photographs: A Simple Version --
|t Conservation Directions for Sculpture: Cleaning and Compensation of Edmonia Lewis's The Old Arrow Maker and His Daughter --
|t Contributors --
|t Exhibition Checklist and Catalogue.
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588 |
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|a Machine converted from AACR2 source record.
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650 |
|
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|a African American art
|v Exhibitions
|9 707925
|
650 |
|
0 |
|a Art
|x Private collections
|z Southern States
|v Exhibitions
|9 625719
|
700 |
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|a Reynolds, Jock,
|e author.
|9 1044706
|
710 |
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|a Studio Museum in Harlem
|9 476924
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710 |
2 |
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|a Addison Gallery of American Art.
|9 231006
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