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20221101185330.0 |
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021101s2003 nyua b 001 0 eng d |
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|a 2002014956
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|a BIB MATCHES WORLDCAT
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|a 1581152523
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|a 9781581152524
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|a (ATU)b10858325
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|a (DLC) 2002014956
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|a (OCoLC)50604855
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|a DLC
|b eng
|e rda
|d ATU
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|a PN1995.9.A26
|b H33 2003
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082 |
0 |
0 |
|a 791.43028
|2 22
|
100 |
1 |
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|a Haase, Cathy,
|e author.
|9 1048206
|
245 |
1 |
0 |
|a Acting for film /
|c Cathy Haase.
|
264 |
|
1 |
|a New York :
|b Allworth Press,
|c 2003.
|
300 |
|
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|a vii, 216 pages :
|b illustrations ;
|c 23 cm
|
336 |
|
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|a text
|b txt
|2 rdacontent
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337 |
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|a unmediated
|b n
|2 rdamedia
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338 |
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|a volume
|b nc
|2 rdacarrier
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504 |
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|a Includes bibliographical references (page 209) and index.
|
505 |
0 |
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|t Introduction: Where am I Coming From? --
|g Pt. 1.
|t The Actor --
|g Ch. 1.
|t Relaxation and the Art of the Face --
|g Ch. 2.
|t Concentration --
|g Ch. 3.
|t The Voice and the Breath --
|g Ch. 4.
|t Listening --
|g Ch. 5.
|t The Skin and the Overall --
|g Ch. 6.
|t Substitution: The Camera as Partner --
|g Ch. 7.
|t Creating the Space --
|g Pt. 2.
|t The Script and Character Development --
|g Ch. 8.
|t The Audition --
|g Ch. 9.
|t Reading the Script --
|g Ch. 10.
|t Creating the Character --
|g Ch. 11.
|t Rehearsals --
|g Pt. 3.
|t The Shoot --
|g Ch. 12.
|t Big-Budget Versus Low-Budget Films --
|g Ch. 13.
|t The First Day on the Set --
|g Ch. 14.
|t Hot Set: The Classic Camera Setups --
|g Ch. 15.
|t The Rushes and the Finished Film.
|
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|a Machine converted from AACR2 source record.
|
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|
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|a Motion picture acting
|9 321109
|
907 |
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|a .b10858325
|b 03-10-17
|c 27-10-15
|
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|c B
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