Recycled culture in contemporary art and film : the uses of nostalgia / Vera Dika.
"The reuse of past images, plots, and genres from film history has become a prominent feature of contemporary culture. Vera Dika explores this practice from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analys...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge ; New York :
Cambridge University Press,
2003.
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| Series: | Cambridge studies in film.
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| Subjects: |
MARC
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| 100 | 1 | |a Dika, Vera, |d 1951- |e author. |9 415424 | |
| 245 | 1 | 0 | |a Recycled culture in contemporary art and film : the uses of nostalgia / |c Vera Dika. |
| 264 | 1 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2003. | |
| 300 | |a xi, 241 pages : |b illustrations ; |c 24 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Cambridge studies in film | |
| 504 | |a Includes bibliographical references (pages 231-235) and index. | ||
| 505 | 0 | 0 | |g 1. |t The Returned Image -- |g 2. |t Art and Film: New York in the Late 1970s -- |g 3. |t Returned Genres: The Dream Has Ended -- |g 4. |t Reconsidering the Nostalgia Film -- |g 5. |t A Return to the 1950s: The Dangers in Utopia -- |g 6. |t Coppola and Scorsese: Authorial Views -- |g 7. |t To Destroy the Sign. |
| 520 | 1 | |a "The reuse of past images, plots, and genres from film history has become a prominent feature of contemporary culture. Vera Dika explores this practice from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, as well as mainstream American and European films. Noting the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One Flew from the Heart. Her study positions avantgarde art work within the context of contemporary mainstream film practice, as well as in relationship to each work's historical moment."--BOOK JACKET. | |
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