Introduction to design /

Introduction to design / Alan Pipes.

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Bibliographic Details
Main Author: Pipes, Alan (Author)
Format: Book
Language:English
Published: Upper Saddle River, NJ : Prentice Hall, 2004.
Subjects:
Art.
Design
Art > Technique
Art appreciation

MARC

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050 4 |a N7425  |b .P56 2004 
082 1 |a 745.4  |2 23 
100 1 |a Pipes, Alan,  |e author.  |9 1050132 
245 1 0 |a Introduction to design /  |c Alan Pipes. 
264 1 |a Upper Saddle River, NJ :  |b Prentice Hall,  |c 2004. 
300 |a 272 pages :  |b illustrations (some colour) ;  |c 28 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references (pages 262-264) and index. 
505 0 0 |t Preface --  |g Part 1.  |t Elements --  |g 1.  |t Points and Lines --  |t Introduction --  |t Points --  |t Types of Line --  |t Line Direction --  |t Box-De Stijl: Netherlands, 1917-32 --  |t Box-Constructivism: Russia, 1919-34 --  |t Line Quality --  |t Lines and Outlines-Describing Shapes --  |t Box-Pop Art: England and America, 1950-70s --  |t Contours, Wireframes, and Freeform Gesture --  |t Lines as Value-Cross-Hatching and Screening --  |t Imaginary Lines-Lost and Found Edges --  |t Box-Plakastil: Germany, 1900-21 --  |t Exercises --  |g 2.  |t Shape --  |t Introduction --  |t Geometric and Rectilinear Shapes --  |t Curvilinear and Biomorphic Shapes --  |t Box-Art Nouveau: France, Worldwide 1890-1914 --  |t Abstract and Non-representational Shapes --  |t Box-Cubism: France, 1907-14 --  |t Text and Type --  |t Positive and Negative Shapes --  |t Distortion and Idealism --  |t Box-The Renaissance: Italy, 14th to 16th Century --  |t Exercises --  |g 3.  |t Texture --  |t Introduction --  |t Tactile Texture --  |t Collage --  |t Box-Dada: Germany and Paris, 1916-22 --  |t Visual Texture --  |t Trompe L'oeil --  |t Pattern --  |t Exercises --  |g 4.  |t Space-Creating the Illusion of Depth --  |t Introduction --  |t Space-Shallow and Deep --  |t Size Cues --  |t Linear Perspective --  |t One-Point Perspective --  |t Two-Point Perspective --  |t Three-Point Perspective --  |t Amplified and Aerial Perspective --  |t Metric Projections --  |t Box-Modernism: Worldwide, 1890-1970 --  |t Open and Closed Compositions --  |t Spatial Confusion --  |t Exercises --  |g 5.  |t Time and Motion --  |t Introduction --  |t Box-Kinetic Art --  |t Anticipated Motion --  |t Repeated Figures --  |t Multiple Images --  |t Box-Futurism: Italy, 1909-16 --  |t Motion Blur --  |t Box-Abstract Expressionism: America, 1940s-60s --  |t Exercises --  |g 6.  |t Value --  |t Introduction --  |t Patterns of Value --  |t Chiaroscuro-Light and Shade --  |t Digital Shading and Lighting --  |t Exercises --  |g 7.  |t Color --  |t Introduction --  |t Box-Impressionism: France, 1867-86 --  |t What Is Color? --  |t Color Characteristics --  |t Color Theory-Wheels, Triangles, and Trees --  |t Box-Bauhaus: Germany, 1919-33 --  |t Color Through the Ages --  |t Color Printing, Computers, and the Web --  |t Color Interactions --  |t Box-Pointillism: France, 1883-1900 --  |t Color Schemes --  |t Using Color --  |t Warm and cool --  |t Emphasis --  |t Box-The Pre-Raphaelites: Britain, 1848-60 --  |t Visual balance --  |t Space and depth --  |t Box-Fauvism: France, 1905-08 --  |t Value --  |t The Meaning of Color --  |t Exercises --  |g Part 2.  |t Rules --  |g 8.  |t Unity and Harmony --  |t Introduction --  |t Thematic Unity --  |t Gestalt and Visual Unity --  |t The Grid --  |t Achieving Unity --  |t Exercises --  |g 9.  |t Balance --  |t Introduction --  |t Formal and Informal Balance --  |t Symmetrical and Asymmetrical Balance --  |t Balance by Shape and Texture --  |t Balance by Value and Color --  |t Balance by Position and Eye Direction --  |t Radial Balance --  |t Crystallographic Balance --  |t Exercises --  |g 10.  |t Scale and Proportion --  |t Introduction --  |t Human Scale --  |t Contrast and Confusion --  |t Box-Surrealism: France, 1924-39 --  |t Ideal Proportion --  |t Exercises --  |g 11.  |t Contrast and Emphasis --  |t Introduction --  |t Contrast by Value and Color --  |t Isolation --  |t Placement --  |t Absence of Focal Point --  |t Exercises --  |g 12.  |t Rhythm --  |t Introduction --  |t Rhythm and Motion --  |t Alternating and Progressive Rhythm --  |t Box-Art Deco: Worldwide, 1920-39 --  |t Rhythmic Sensation --  |t Exercises. 
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650 0 |a Design  |9 316601 
650 0 |a Art  |x Technique  |9 371234 
650 0 |a Art appreciation  |9 314095 
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