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020827s2003 ne a b 001 0 eng d |
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|a 2002033935
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|a BIB MATCHES WORLDCAT
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|a 0240805135
|q pbk. (alk. paper)
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|a 9780240805139
|q pbk. (alk. paper)
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|a (ATU)b10929095
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|a (DLC) 2002033935
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|a (OCoLC)50554648
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|a DLC
|b eng
|e rda
|d ATU
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|a pcc
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| 050 |
0 |
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|a TR897.5
|b .S54 2003
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| 082 |
0 |
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|a 791.433
|2 21
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| 100 |
1 |
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|a Simon, Mark,
|d 1964-
|e author.
|9 394057
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| 245 |
1 |
0 |
|a Producing independent 2D character animation :
|b making and selling a short film /
|c Mark Simon ; with a foreword by Linda Simensky.
|
| 264 |
|
1 |
|a Amsterdam ;
|a Boston :
|b Focal Press,
|c [2003]
|
| 264 |
|
4 |
|c ©2003
|
| 300 |
|
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|a xx, 401 pages :
|b illustrations (some colour) ;
|c 25 cm +
|e 1 computer disc (12 cm).
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 336 |
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|a computer dataset
|b cod
|2 rdacontent
|3 Accompanying material
|
| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 337 |
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|a computer
|b c
|2 rdamedia
|3 Accompanying material
|
| 338 |
|
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|a volume
|b nc
|2 rdacarrier
|
| 338 |
|
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|a computer disc
|b cd
|2 rdacarrier
|3 Accompanying material
|
| 490 |
1 |
|
|a Focal Press visual effects and animation series
|
| 500 |
|
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|a Accompanied by: 1 computer disc (CD-ROM)
|
| 504 |
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|a Includes bibliographical references (pages 387-389) and index.
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| 505 |
0 |
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|t Foreword /
|r Linda Simensky --
|g Sect. A.
|t Before We Get Started --
|g Ch. 1.
|t Frame Rate --
|g Ch. 2.
|t Time versus Footage --
|g Ch. 3.
|t DPI versus Pixels --
|g Ch. 4.
|t Scenes --
|g Ch. 5.
|t File Organization --
|g Ch. 6.
|t Tricks of the Trade --
|g Ch. 7.
|t Supplies, Hardware, and Software --
|g Ch. 8.
|t Production Crew --
|g Sect. B.
|t Pre-Production --
|g Ch. 9.
|t The In-House Pitch --
|g Ch. 10.
|t Character Design --
|g Ch. 11.
|t Story and Storyboards --
|g Ch. 12.
|t Budget --
|g Ch. 13.
|t Crewing Up --
|g Ch. 14.
|t Revised Storyboards --
|g Ch. 15.
|t Layouts --
|g Sect. C.
|t Production --
|g Ch. 16.
|t Directing Dialogue --
|g Ch. 17.
|t Audio Recording and Edition --
|g Ch. 18.
|t Animatics --
|g Ch. 19.
|t Animation Breakdowns, Slugging, or Timing --
|g Ch. 20.
|t Audio Breakdowns --
|g Ch. 21.
|t Assigning Production Work --
|g Ch. 22.
|t Key Animation --
|g Ch. 23.
|t Rotoscoping --
|g Ch. 24.
|t Effects Animation --
|g Ch. 25.
|t Pencil Tests --
|g Ch. 26.
|t Enhanced Animatics --
|g Ch. 27.
|t Backgrounds --
|g Ch. 28.
|t Inbetweens --
|g Ch. 29.
|t Clean-Ups --
|g Ch. 30.
|t Scanning --
|g Ch. 31.
|t Digital Ink and Paint --
|g Ch. 32.
|t Composite and Export of Individual Layers --
|g Ch. 33.
|t Camera Moves and Special Effects --
|g Ch. 34.
|t Final Image Composite --
|g Sect. D.
|t Post-Production --
|g Ch. 35.
|t Title Cards --
|g Ch. 36.
|t Credits --
|g Ch. 37.
|t Editing --
|g Ch. 38.
|t Music and Sound Design --
|g Ch. 39.
|t Final Composite with Audio and Output to Tape or Film --
|g Sect. E.
|t What Next? --
|g Ch. 40.
|t Copyright --
|g Ch. 41.
|t Festivals --
|g Ch. 42.
|t Online --
|g Ch. 43.
|t Pitching to a Studio, Network, or Distributor --
|g Ch. 44.
|t Portfolio Piece --
|g Sect. F.
|t Interviews --
|g Ch. 45.
|t Craig McCracken, Creator of The Powerpuff Girls --
|g Ch. 46.
|t Bill Plympton, Academy Award-Nominated Independent Animator --
|g Ch. 47.
|t Craig "Spike" Decker of Spike & Mike's Sick & Twisted Festival of Animation --
|g Ch. 48.
|t Linda Simensky, Senior Vice President of Original Animation at Cartoon Network --
|g Ch. 49.
|t Rachelle Lewis, Director of Recruitment for Klasky Csupo --
|g Ch. 50.
|t Tom Sito, Co-Director of Osmosis Jones --
|g Ch. 51.
|t David Fine and Alison Snowden, Academy Award-Winning Producers of Bob and Margaret --
|g Sect. G.
|t Appendixes --
|g App. 1.
|t Forms --
|g App. 2.
|t Digital to Film Transfer Facilities and Film Recording Service Bureaus --
|t App. 6: Periodicals --
|t App. 7: Animation Schools --
|g App. 9.
|t Patronage and Credits.
|
| 588 |
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|a Machine converted from AACR2 source record.
|
| 650 |
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0 |
|a Animation (Cinematography)
|9 313782
|
| 830 |
|
0 |
|a Focal Press visual effects and animation series.
|9 242169
|
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