Twentieth century actor training / edited by Alison Hodge.
"Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert. The practitioners included are: * Stella...
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| Format: | Book |
| Language: | English |
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London ; New York :
Routledge,
2000.
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Table of Contents:
- Stanislavsky's system : pathways for the actor / Sharon Marie Carnicke
- Meyerhold and biomechanics / Robert Leach
- Jacques Copeau : the quest for sincerity / John Rudlin
- Michael Chekhov on the technique of acting : 'was Don Quixote true to life?' / Franc Chamberlain
- Brecht and actor training : on whose behalf do we act? / Peter Thomson
- Joan Littlewood / Clive Barker
- Strasberg, Adler and Meisner : method acting / David Krasner
- Joseph Chaikin and aspects of actor training : possibilities rendered present / Dorinda Hulton
- Peter Brook : transparency and the invisible network / Lorna Marshall and David Williams
- Grotowski's vision of the actor : the search for contact / Lisa Wolford
- Training with Eugenio Barba : acting principles, the pre-expressive and 'personal temperature' / Ian Watson
- Włodzimierz Staniewski : Gardzienice and the naturalised actor / Alison Hodge.