Pop art and the origins of post-modernism / Sylvia Harrison.
"Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broad...
I tiakina i:
| Kaituhi matua: | |
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| Hōputu: | iPukapuka |
| Reo: | English |
| I whakaputaina: |
Cambridge ; New York :
Cambridge University Press,
2001.
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| Rangatū: | Contemporary artists and their critics.
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| Ngā marau: | |
| Urunga tuihono: | Cambridge Books on Core Sample text |
| Whakarāpopototanga: | "Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion that is now associated with deconstructive post-modernism. Perceived through these disciplinary lenses, Pop Art arises as not only a reflection of the dominance of mass communications and capitalist consumerism in post-war American society but also as a subversive commentary on worldviews and the factors necessary for their formation."--BOOK JACKET. |
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| Whakaahutanga tūemi: | Description based on print version record. |
| Whakaahuatanga ōkiko: | 1 electronic document (vii, 280 p.). |
| Rārangi puna kōrero: | Includes bibliographical references (p.223-273) and index. |
| ISBN: | 0511016247 9780511016240 0511046766 9780511046766 0511154992 9780511154997 0511174896 9780511174896 0511481039 9780511481031 1280429976 0511497687 9781280429972 9780511497681 |
| DOI: | 10.1017/CBO9780511497681 |