Theorizing film acting / edited by Aaron Taylor.
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| Other Authors: | |
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| Format: | Book |
| Language: | English |
| Published: |
New York :
Routledge,
2012.
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| Series: | Routledge advances in film studies.
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| Subjects: |
Table of Contents:
- Introduction: acting, casually and theoretically speaking / Aaron Taylor
- Aesthetics: understanding and interpreting film acting. Acting matters: noting performance in three films / Brenda Austin-Smith
- Living meaning: the fluency of film Performance / Andrew Klevan
- Play-acting: a theory of comedic performance / Alex Clayton
- Performed performance and the man who knew too much / Murray Pomerance
- Brando sings! the invincible star persona / George Toles
- Reception: film acting, audiences and communities. "Look at me"?: a phenomenology of Heath Ledger in The dark knight / Jorg Sternagel
- Is acting a form of simulation or being? acting and mirror neurons / William Brown
- The bond that unbinds by binding: acting mythology and the film community / Kevin Esch
- From being to acting: performance in cult cinema / Ernest Mathijs
- Acting and performance in home movies and amateur films / Liz Czach
- Culture: film history, industry and the vicissitudes of star acting. Story and show: the basic contradiction of film star acting / Paul McDonald
- The screen actor's "first self" and "second self": John Wayne and Coquelin's acting theory / Sharon Marie Carnicke
- Acting like a star: Florence Turner, picture personality / Charlie Keil
- Niche stars and acting "gay" / Chris Holmlund
- Apparatus: technology, film form and the actor. What becomes of the camera in the world on film? / William Rothman
- Sonic bodies: listening as acting / Jennifer M. Barker
- Dance of the ubermarionettes: toward a contemporary screen actor training / Sean Aita
- Articulating digital stardom / Barry King.