Cinephilia in the age of digital reproduction. edited by Scott Balcerzak & Jason Sperb. Vol. 1, Film, pleasure and digital culture /
For years, "cinephilia" has been a part of the theatrical experience, denoting a deep, even limitless passion for the medium. Cinephilia encompasses consuming, defining, sharing, discussing, and writing about films, but what happens when the experience of watching movies becomes something...
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Format: | Book |
Language: | English |
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London :
Wallflower,
2009.
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Table of Contents:
- Preface: the Twenty-First-Century cinephile / Christian Keathley
- Contexts :
- Introduction: presence of pleasure / Jason Sperb & Scott Balcerzak
- 1. Beyond the fragments of cinephilia: towards a synthetic analysis / Adrian Martin
- 2. The digital cine-club: letters on blogging, cinephilia and the Internet / Girish Shambu, Zach Campbell
- Affects :
- 3. A point of light: epiphanic cinephilia in Mamoru Oshii's Avalon (2001) / Jenna Ng
- 4. Floating hats: a mere diversion? / Zach Campbell
- 5. Sensing an intellectual nemesis / Jason Sperb
- Ontologies :
- 6. The 'camera as camera': how CGI changes the world as we know it / Tobey Crockett
- 7. Déjà vu for something that hasn't happened yet - Time, repetition and jamais vu within a cinephilia of anticipation / Jason Sperb
- 8. Swimming / Zach Campbell
- 9. Customising pleasure: 'Super Mario clouds' and the John Ford sky / Robert Burgoyne
- Bodies :
- 10. Cinephilia as topophilia in the Matrix (1999) / Kevin Fisher
- 11. Code unknown: an auto-dialogue / Girish Shambu
- 12. Andy Serkis as actor, body and gorilla" motion capture and the presence of performance / Scott Balcerzak
- 13. Gestures and postures of mastery: CGI and contemporary action cinema's expressive tendencies / Lisa Purse.