An ocean of tears : decentreing institutional marginalisation of Pacific arts agency : an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Philosophy 2017 / Louise Tu'u ; supervisors: Amanda Yates, Christopher Braddock.
This exegesis explores three key projects that form part of my recent performative practice: An Anthem of Hope, Screenshot and the upcoming Magdalena of Mangere in which group dynamics-which bring people together in spaces of difficulty, resistance, embarrassment, game-playing or distance-are explor...
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| Format: | Ethesis |
| Language: | English |
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| Online Access: | Click here to access this resource online |
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| 100 | 1 | |a Tu'u, Louise |q (Louise Talamoni), |e author. | |
| 245 | 1 | 3 | |a An ocean of tears : |b decentreing institutional marginalisation of Pacific arts agency : an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Philosophy 2017 / |c Louise Tu'u ; supervisors: Amanda Yates, Christopher Braddock. |
| 264 | 0 | |c [2017] | |
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| 347 | |a PDF |c 2.355 Mb |3 Exegesis | ||
| 502 | |a Exegesis |b MPhil |c Auckland University of Technology |d 2017. | ||
| 504 | |a Includes bibliographical references. | ||
| 516 | |a Text (PDF file (47 pages, 2.355 Mb)) | ||
| 520 | 3 | |a This exegesis explores three key projects that form part of my recent performative practice: An Anthem of Hope, Screenshot and the upcoming Magdalena of Mangere in which group dynamics-which bring people together in spaces of difficulty, resistance, embarrassment, game-playing or distance-are explored. These performance works commonly test institutional boundaries, cultural identities and relationships. The project explores ways in which audiences, including frequently the host gallery and the artist herself - Louise Tu'u - may be drawn in, or induced into social relationships that play out relations of humour and dis-ease. In attending to these relationships, the project aims to develop fluid methods of engagement or intervention in the politics of marginalised communities. | |
| 520 | 8 | |a Author supplied keywords: Pasifika performance; Fa'alavelave; Wroughting; Female body; Institutional critique; Fiapoto; Fa'amatala; Faitatala; Physics Room; Mangere Arts Centre; Papakura Art Gallery; South Auckland; Epeli Hau'ofa; Auckland; Civic participation. | |
| 650 | 0 | |a Performance art. |9 322081 | |
| 650 | 0 | |a Performing arts |x Finance |9 625886 | |
| 650 | 0 | |a Arts, Samoan |z New Zealand |9 584409 | |
| 700 | 1 | |a Yates, Amanda |e degree supervisor. |9 827275 | |
| 700 | 1 | |a Braddock, Christopher |e degree supervisor. |9 353948 | |
| 710 | 2 | |a Auckland University of Technology. |b School of Art and Design | |
| 710 | 2 | |a Auckland University of Technology, |e degree granting institution. |9 331914 | |
| 856 | 4 | 0 | |u http://hdl.handle.net/10292/10919 |z Click here to access this resource online |
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