The mythical, the miniature and fantastical biologies: an exegesis submitted to AUT University in partial fulfilment of the requirements for the degree of Master of Art and Design, 2013 / Catherine Ellis ; supervisor: Chris Braddock.
This project is informed by notions of hybrid and fluctuating identity, transformations and disguises, and in equal parts by the creatures of fiction and the creativity of the biological real. My sculptures and installations reference this, as well as notions to do with relics, collections and a mys...
I tiakina i:
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| Kaituhi rangatōpū: | |
| Hōputu: | iTuhinga whakapae |
| Reo: | English |
| Ngā marau: | |
| Urunga tuihono: | Click here to access this resource online |
| Whakarāpopototanga: | This project is informed by notions of hybrid and fluctuating identity, transformations and disguises, and in equal parts by the creatures of fiction and the creativity of the biological real. My sculptures and installations reference this, as well as notions to do with relics, collections and a mysterious world of creaturely players. Supporting this is a focus on installation and on leveraging the power of the miniature to create sensuous affect. Miniature objects are juxtaposed with tiny sounds and oscillatory animations that simulate the living. Hidden in the scale of things between the micro and macro are a multitude of worlds. Author supplied keywords: Sculpture; Creatures; Miniature; Myths; Disguise. |
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| Whakaahuatanga ōkiko: | 1 online resource |
| Rārangi puna kōrero: | Includes bibliographical references. |