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|2 23
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1 |
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|a Frierson, Michael,
|e author.
|9 950786
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| 245 |
1 |
0 |
|a Theories of film editing :
|b how editing creates meaning /
|c Michael Frierson.
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| 264 |
|
1 |
|a New York ;
|a London :
|b Routledge, Taylor & Francis Group,
|c 2018.
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| 300 |
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|a 1 online resource (1 volume (unpaged))
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
|b cr
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| 504 |
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|a Includes bibliographical references and index.
|
| 505 |
0 |
|
|a Herbert Zettl, vectors and approaches to building screen space -- Noël Burch, PMR vs. IMR, and continuity editing in a 5 x 3 matrix -- Hollywood theorists: Edward Dmytryk and Walter Murch -- David Bordwell, the narrative functions of continuity editing, and intensified continuity -- Eisenstein and montage -- Realism and André Bazin -- Dream and ritual: Andrei Tarkovsky and Maya Deren -- Rhythmic and graphic editing.
|
| 588 |
|
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|a Description based on print version record.
|
| 650 |
|
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|a Motion pictures
|x Editing.
|9 321134
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| 776 |
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|i Print version:
|a Frierson, Michael.
|t Theories of film editing : how editing creates meaning.
|d New York ; London : Routledge, Taylor & Francis Group, c2018
|h 1 volume (unpaged)
|z 9781138202078
|w (DLC) 2017045970
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|z Click here to view this book
|u http://ebookcentral.proquest.com/lib/AUT/detail.action?docID=5331764
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