Black : the interplay between repetition, regularity and rhythm in the chinese strokes : the thesis is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts in Art and Design in the year 2003 / by Ching Ye ; supervisors: Welby Ings, Nancy de Freitas.

This research project involves the generation and testing of a body of work that considers three design elements: (i) the colour [black], (ii) calligraphic type [regular script] and (iii) the grid [square]. The physical manifestation of this research was a series of visual documents. These visual do...

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Bibliographic Details
Main Author: Ye, Ching (Author)
Corporate Author: Auckland University of Technology. School of Art and Design
Format: Ethesis
Language:English
Subjects:
Online Access:Click here to access this resource online

MARC

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008 180213s2003 nz a omb 000 0 eng d
035 |a (ATU)b27822229 
035 |a (OCoLC)663909757 
040 |a ATU  |b eng  |e rda  |c ATU 
082 0 4 |a 745.619951 
100 1 |a Ye, Ching,  |e author. 
245 1 0 |a Black :  |b the interplay between repetition, regularity and rhythm in the chinese strokes : the thesis is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts in Art and Design in the year 2003 /  |c by Ching Ye ; supervisors: Welby Ings, Nancy de Freitas. 
264 0 |c [2003] 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a PDF  |c 6.222 Mb  |3 Whole thesis 
502 |a Exegesis  |b MA&D  |c Auckland University of Technology  |d 2003. 
504 |a Includes bibliographical references. 
506 |a Full version thesis for AUT students and staff only. 
516 |a Text (PDF file (101 pages, 6.222 Mb)) 
520 3 |a This research project involves the generation and testing of a body of work that considers three design elements: (i) the colour [black], (ii) calligraphic type [regular script] and (iii) the grid [square]. The physical manifestation of this research was a series of visual documents. These visual documents generated from reflections on computerised Chinese calligraphic forms, consider the Oriental notion of a sense of stable harmony. This harmony results from a consideration of the creative interplay between repetition, regularity and rhythm in the Chinese stroke, the grid and the utilization of the colour black. The work deals with this idea as an essentially Chinese consideration rather than as a discursive analysis between Chinese and Western cultures. The practical research is accompanied by a written exegesis of approximately 11,000 words. 
520 8 |a Author supplied keywords: New Zealand art; 21st century; Exhibitions; New Zealand artists; Chinese Calligraphy. 
530 |a Also held in print (82 leaves : illustrations ; 20 x 29 cm) (T 745.619951 YE,) in off-campus storage, box 4. 
600 1 0 |a Ye, Ching  |v Exhibitions. 
650 0 |a Art, New Zealand  |z New Zealand  |y 21st century  |v Exhibitions. 
650 0 |a Artists  |z New Zealand  |v Exhibitions  |9 578564 
650 0 |a Calligraphy, Chinese.  |9 314938 
650 0 |a Black.  |9 314622 
700 1 |a Ings, Welby,  |d 1956-  |e degree supervisor.  |9 395296 
700 1 |a De Freitas, Nancy  |e degree supervisor.  |9 289884 
710 2 |a Auckland University of Technology.  |b School of Art and Design. 
710 2 |a Auckland University of Technology,  |e degree granting institution.  |9 331914 
856 4 0 |u http://hdl.handle.net/10292/11214  |z Click here to access this resource online 
907 |a .b27822229  |b 20-08-20  |c 27-02-20 
942 |c ET 
998 |a none  |b 27-02-20  |c m  |d s   |e -  |f eng  |g nz   |h 0 
999 |c 1541048  |d 1541048 
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