The shed project : an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art and Design (MA & D), 2009 / Keith Grinter ; supervisor: Dieneke Jansen.
This project attempts to translate my experience of the everyday street for the viewer; to reveal my experience of walking and looking through drawing. The everyday is an elusive and slippery subject that has been used for various and sometimes radical agendas by many writers and artists in the last...
I tiakina i:
| Kaituhi matua: | |
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| Kaituhi rangatōpū: | |
| Hōputu: | iTuhinga whakapae |
| Reo: | English |
| Ngā marau: | |
| Urunga tuihono: | Click here to access this resource online |
| Whakarāpopototanga: | This project attempts to translate my experience of the everyday street for the viewer; to reveal my experience of walking and looking through drawing. The everyday is an elusive and slippery subject that has been used for various and sometimes radical agendas by many writers and artists in the last two centuries. It is seen as having potential for finding the authenticity that is lacking in other spheres of human activity. However, there is an inherent contradiction for the artist engaged with the everyday in that, by definition, the mundane is barely noticed yet it can swiftly become extraordinary when examined closely. This project uses a toolbox of everyday tactics, processes and methods to explore and devise appropriate modes of representing the everyday street, while taking this contradiction into account. Author supplied keywords: Sculpture; Drawing; Everyday; Phenomenology; Walking; Wood. |
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| Whakaahuatanga ōkiko: | 1 online resource Also held in print (iv, 38 leaves : illustrations ; 30 cm + 1 CD-ROM) (T 730.92 GRI) in off-campus storage, box 212. |
| Rārangi puna kōrero: | Includes bibliographical references. |