The gender reflection : an investigation into what contemporary, mainstream Western cinema highlights aboud social attitudes towards people with non-traditional gender : [a thesis submitted to AUT University in partial fulfilment of the requirements for the degree of Master of Communication Studies (MCS), 2011] / Laura Stephenson; supervisor: Rosser Johnson.

This thesis investigates how characters with non-traditional gender are depicted in contemporary Western cinema on the basis that this depiction illustrates society's unease with individuals who do not easily confirm to the standard male-female gender binary. Through focussing on four Western f...

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Bibliographic Details
Main Author: Stephenson, Laura Kristina (Author)
Corporate Author: AUT University. School of Communication Studies
Format: Ethesis
Language:English
Subjects:
Online Access:Click here to access this resource online

MARC

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082 0 4 |a 791.4365267  |2 23 
100 1 |a Stephenson, Laura Kristina,  |e author. 
245 1 4 |a The gender reflection :  |b an investigation into what contemporary, mainstream Western cinema highlights aboud social attitudes towards people with non-traditional gender : [a thesis submitted to AUT University in partial fulfilment of the requirements for the degree of Master of Communication Studies (MCS), 2011] /  |c Laura Stephenson; supervisor: Rosser Johnson. 
264 0 |c [2011] 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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347 |a PDF  |c 1.015 Mb  |3 Whole thesis 
502 |g Thesis  |b MCS  |c AUT University  |d 2011  |o 4783 
504 |a Includes bibliographical references. 
516 |a Text (PDF file (278 pages, 1.015 Mb)) 
520 3 |a This thesis investigates how characters with non-traditional gender are depicted in contemporary Western cinema on the basis that this depiction illustrates society's unease with individuals who do not easily confirm to the standard male-female gender binary. Through focussing on four Western feature films (each of which features non-traditionally gendered character in a leading role), the thesis will argue that, despite the surface appearance of accepting the progressive individual, each film actually reinforces traditional social mobilisations of gender. In order to understand how gender is socially mobilised each film will be closely read with a specific focus on camera, lighting, editing, dialogue, sound, costume and script function. The data will be analysed to assess how characters with non-traditional gender are portrayed on screen and how other characters and social structures respond to them. Although the analysis will reveal concepts of gender progression represented in relatively sophisticated ways, at a deeper level the preferred construction of each of these characters fits within either the male or female gender polarity. Ultimately the thesis will show that within these films the dominant social reaction to people who do not present as either male or female are feared, rejected and ostracised. 
520 8 |a Author supplied keywords: Gender; Sexuality; Feminism; Body; Androgyny; Transgender; Cinema; Film. 
530 |a Also held in print (274 leaves ; 30 cm) (T 791.4365267 STE) in off-campus storage, box 72 
650 0 |a Transgender people in motion pictures.  |9 347113 
650 7 |a Art and culture.  |2 rainbow 
650 7 |a Bias and discrimination.  |2 rainbow 
650 7 |a Gender identity.  |2 rainbow 
650 7 |a Social norms.  |2 rainbow 
700 1 |a Johnson, Rosser,  |e degree supervisor. 
710 2 |a AUT University.  |b School of Communication Studies. 
710 2 |a AUT University  |e degree granting institution.  |9 353924 
856 4 0 |u http://hdl.handle.net/10292/4783  |z Click here to access this resource online 
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942 |c ET 
998 |b 27-02-20  |c m  |d s   |e - 
999 |c 1542616  |d 1542616 
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