Double movement : an exploration of the interaction between live and digital dancer, sharing the physical space : an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art and Design (MA&D), 2012 / Dannielle Chandler ; supervisors: Jennifer Nikolai, Gregory Bennett.
Exploring the interaction between live and digital dancer I ask: how can digital technologies such as motion capture (mocap) and video projection be employed to enhance live dance performance? Using Practice as Research (PaR), and a Dramaturgical approach, I interrogate and challenge the relationshi...
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| Corporate Author: | |
| Format: | Ethesis |
| Language: | English |
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| Online Access: | Click here to access this resource online |
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| 100 | 1 | |a Chandler, Dannielle, |e author. | |
| 245 | 1 | 0 | |a Double movement : |b an exploration of the interaction between live and digital dancer, sharing the physical space : an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art and Design (MA&D), 2012 / |c Dannielle Chandler ; supervisors: Jennifer Nikolai, Gregory Bennett. |
| 264 | 0 | |c [2012] | |
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a PDF |c 547.6 Mb |3 Exegesis | ||
| 502 | |a Exegesis |b MA&D |c AUT University |d 2012. | ||
| 504 | |a Includes bibliographical references. | ||
| 516 | |a Text (PDF file (86 pages, 547.6 Mb)) | ||
| 520 | 3 | |a Exploring the interaction between live and digital dancer I ask: how can digital technologies such as motion capture (mocap) and video projection be employed to enhance live dance performance? Using Practice as Research (PaR), and a Dramaturgical approach, I interrogate and challenge the relationship between dance and technology. Choreography and structured improvisation are framed by implemented and inherent Obstructions, as part of a dramaturgical investigation of a dialogue between live and digital dancer. An exploration into the use of space (virtual and physical) reflects the application of constraints in the choreographic process. I ask: how does the form the digital dancer takes affect the relationship with the live dancer? The final outcome is a dance performance with live and digital dancers interacting in the physical space. The two dance pieces: Sheet Piece and Box Piece, which together comprise Double Movement, follow Auslander's idea that technology cannot replace human presence in performance but can extend the capabilities of human performers. | |
| 520 | 8 | |a Author supplied keywords: Dance; Motion capture; Dance and motion capture; Liminal space; Live performance; Live and digital dancer; Dramaturgy; Practice as research. | |
| 530 | |a Also held in print ( leaves : illustrations ; 30 cm) (T 792.8 CHA) in off-campus storage, box 218. | ||
| 650 | 0 | |a Modern dance. |9 353498 | |
| 700 | 1 | |a Nikolai, Jennifer, |e degree supervisor. | |
| 700 | 1 | |a Bennett, Gregory, |e degree supervisor. | |
| 710 | 2 | |a AUT University. |b School of Art and Design. | |
| 710 | 2 | |a AUT University |e degree granting institution. |9 353924 | |
| 856 | 4 | 0 | |u http://hdl.handle.net/10292/5386 |z Click here to access this resource online |
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