Social sculpture and the thirsting millions: an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art and Design (MA&D), 2013 / Tom Turner.

This project explores the fissures and junctures between the utopian propositions that everyone has equal intelligence, that everyone is an artist, and that there is an art that the people can call their own. The project re-examines the tensions that exist between the high art world and the public,...

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Bibliographic Details
Main Author: Turner, Thomas John Hamilton (Author)
Corporate Author: AUT University. School of Art and Design
Format: Ethesis
Language:English
Subjects:
Online Access:Click here to access this resource online

MARC

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040 |a ATU  |b eng  |c ATU  |e rda 
082 0 4 |a 730.92  |2 23 
100 1 |a Turner, Thomas John Hamilton  |q (Tom),  |e author. 
245 1 0 |a Social sculpture and the thirsting millions:  |b an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art and Design (MA&D), 2013 /  |c Tom Turner. 
264 0 |c [2013] 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a PDF  |c 4.243 Mb  |3 Exegesis 
502 |a Exegesis  |b MA&D  |c AUT University  |d 2013. 
504 |a Includes bibliographical references. 
516 |a Text (PDF file (46 pages, 4.243 Mb)) 
520 3 |a This project explores the fissures and junctures between the utopian propositions that everyone has equal intelligence, that everyone is an artist, and that there is an art that the people can call their own. The project re-examines the tensions that exist between the high art world and the public, focussing on the potentials that might occur if these tensions were bridged using social sculpture and emancipatory discourse theories of Joseph Beuys, Jacques Ranciere et.al. These concepts are surveyed by means of participatory events and discourse, locating the events in diverse sites across New Zealand in order to test their capacity to function in the current cultural and art worlds. 
520 8 |a Author supplied keywords: Emancipation; Dialogical art; Participatory art; Everyone is an artist; What is art; Freedom. 
530 |a Also held in print (46 pages : illustrations ; 30 cm) in off-campus storage, box 201. 
650 0 |a Sculpture, New Zealand.  |9 329070 
650 0 |a Public art.  |9 322956 
650 0 |a Happenings (Art)  |9 318650 
710 2 |a AUT University.  |b School of Art and Design. 
710 2 |a AUT University  |e degree granting institution.  |9 353924 
856 4 0 |u http://hdl.handle.net/10292/7343  |z Click here to access this resource online 
907 |a .b27841649  |b 12-08-21  |c 27-02-20 
998 |a none  |b 27-02-20  |c m  |d s   |e -  |f eng  |g nz   |h 0 
942 |c ET 
999 |c 1542990  |d 1542990 
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