Machine art in the Twentieth Century / Andreas Broeckmann.
"Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; visio...
Saved in:
| Main Author: | |
|---|---|
| Format: | Ebook |
| Language: | English |
| Published: |
Cambridge, Massachusetts :
The MIT Press,
[2016]
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| Series: | Leonardo (Series) (Cambridge, Mass.)
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| Subjects: | |
| Online Access: | Click here to view this book |
MARC
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| 011 | |a EDS Title: Machine Art in the Twentieth Century | ||
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| 100 | 1 | |a Broeckmann, Andreas, |e author. |9 982997 | |
| 245 | 1 | 0 | |a Machine art in the Twentieth Century / |c Andreas Broeckmann. |
| 264 | 1 | |a Cambridge, Massachusetts : |b The MIT Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (x, 376 pages, 12 unnumbered pages of plates : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Leonardo | |
| 504 | |a Includes bibliographical references (pages 331-365) and index. | ||
| 505 | 0 | |a Prologue: first encounters -- Introduction: the phantom of "machine art" -- Toward the art and aesthetics of the machine -- Algorithm machine -- Image machine -- Body machine -- Ecology machine -- Epilogue: fantasies of destruction. | |
| 520 | |a "Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift."--Publisher's description. | ||
| 650 | 0 | |a Art and technology. |9 314093 | |
| 650 | 0 | |a Art, Modern |y 20th century |x Themes, motives. |9 314054 | |
| 830 | 0 | |a Leonardo (Series) (Cambridge, Mass.) |9 241795 | |
| 856 | 4 | 0 | |z Click here to view this book |u http://ebookcentral.proquest.com/lib/AUT/detail.action?docID=4776517 |
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