Black Lives Matter & music : protest, intervention, reflection / edited by Fernando Orejuela and Stephanie Shonekan ; foreword by Portia K. Maultsby.
Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar's "Alright," J. Cole's "Be Free," D'Angelo and the Vanguard's "The Charade," The Game's "Don't Shoot," Janel...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Ebook |
| Language: | English |
| Published: |
Bloomington :
Indiana University Press,
[2018]
|
| Series: | Activist encounters in folklore and ethnomusicology.
|
| Subjects: | |
| Online Access: | Click here to view this book |
MARC
| LEADER | 00000czm a2200000 i 4500 | ||
|---|---|---|---|
| 005 | 20221103181105.0 | ||
| 007 | cr mn|||||n||| | ||
| 008 | 180507s2018 inua ob 001 0 eng d | ||
| 010 | |z 2018021721 | ||
| 011 | |a MARC Score : 11100(24800) : OK | ||
| 011 | |a Z3950 Direct Search: Record 1 of 3 | ||
| 011 | |a Z9350 Search Query @attr 1=7 "9780253038418 9780253038432" | ||
| 020 | |z 0253038413 |q hardback | ||
| 020 | |z 9780253038418 |q hardback | ||
| 020 | |a 025303843X |q Ebook | ||
| 020 | |a 9780253038432 |q Ebook | ||
| 035 | |a (ATU)b30022356 | ||
| 035 | |a (MiAaPQ)EBC5567147 | ||
| 040 | |a ICU/DLC |b eng |e rda |c DLC |d OCLCF |d TXX |d DLC |d CIA |d IUL |d ITD |d ZAD |d ICW |d I3U |d TOH |d OHRRH |d Z5A | ||
| 042 | |a pcc | ||
| 050 | 0 | 0 | |a ML3556 |b .B57 2018 |
| 082 | 0 | 0 | |a 781.592 |2 23 |
| 099 | |a 781.592 BLA | ||
| 245 | 0 | 0 | |a Black Lives Matter & music : |b protest, intervention, reflection / |c edited by Fernando Orejuela and Stephanie Shonekan ; foreword by Portia K. Maultsby. |
| 246 | 3 | |a Black Lives Matter and music | |
| 246 | 3 | |a Black Lives Matter and music : |b Protest, intervention, reflection | |
| 246 | 3 | 0 | |a Protest, intervention, reflection |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xvi, 126 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Activist encounters in folklore and ethnomusicology | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Foreword / |r Portia K. Maultsby -- |t Introduction / |r Fernando Orejuela -- |g 1. |t Black Mizzou: music and stories one year later / |r Stephanie Shonekan -- |g 2. |t Black matters: black folk studies and black campus life / |r Fernando Orejuela -- |g 3. |t Black folklife matters: SLABs and the social importance of contemporary African American folklife / |r Langston Collin Wilkins -- |g 4. |t Black music matters: affirmation and resilience in African American musical spaces in Washington, DC / |r Alison Martin -- |g 5. |t Black Detroit: sonic distortion fuels social distortion / |r Denise Dalphond -- |t Conclusion: race, place, and pedagogy in the black lives matter era / |r Stephanie Shonekan. |
| 520 | |a Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar's "Alright," J. Cole's "Be Free," D'Angelo and the Vanguard's "The Charade," The Game's "Don't Shoot," Janelle Monae's "Hell You Talmbout," Usher's "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world [Publisher description] | ||
| 650 | 0 | |a African Americans |x Music |x History and criticism. |9 347120 | |
| 650 | 0 | |a Black lives matter movement. |9 375919 | |
| 700 | 1 | |a Orejuela, Fernando, |e editor. |9 924412 | |
| 700 | 1 | |a Shonekan, Stephanie, |e editor. |9 924414 | |
| 776 | 1 | 8 | |w (OCoLC)1020564275 |w (OCoLC)1088916049 |
| 776 | 1 | 8 | |w (MiAaPQ)EBC5567147 |
| 830 | 0 | |a Activist encounters in folklore and ethnomusicology. |9 924416 | |
| 856 | 4 | 0 | |z Click here to view this book |u http://ebookcentral.proquest.com/lib/AUT/detail.action?docID=5567147 |
| 907 | |a .b30022356 |b 22-07-21 |c 01-10-20 | ||
| 942 | |c EB | ||
| 998 | |a none |b 15-04-21 |c m |d z |e - |f eng |g inu |h 0 | ||
| 999 | |c 1591897 |d 1591897 | ||