Our unutterable breath : a Maori indigene's autoethnography of whanaungatanga / Virginia Tamanui.

Dr Tamanui's study began as an inquiry into traditional and contemporary understandings of whanaungatanga aiming to connect a developing Māori indigenous psychology to the on-going struggle for social justice, tino rangatiratanga (absolute sovereignty), and equitable development. She brought to...

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Bibliographic Details
Main Author: Tamanui, Virginia (Author)
Format: Ebook
Language:English
Published: Auckland, N.Z. : Tuhi Tuhi Communications, 2013.
Edition:First edition.
Subjects:
Online Access:EBSCO eBooks

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245 1 0 |a Our unutterable breath :  |b a Maori indigene's autoethnography of whanaungatanga /  |c Virginia Tamanui. 
250 |a First edition. 
264 1 |a Auckland, N.Z. :  |b Tuhi Tuhi Communications,  |c 2013. 
300 |a 1 online resource (xviii, 398 pages) :  |b illustrations (some colour) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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500 |a "Ginia wrote this book as a thesis investigating whanaungathanga, with social justice in mind"--Preface. 
500 |a Prepublication ISBN. 
504 |a Includes bibliographical references. 
505 0 0 |g 1.  |t Beginnings --  |g 2.  |t Whakawharikihia: openings --  |g 3.  |t Te Tuakiri Ahureitanga o te Whakairo; autoethnography --  |g 4.  |t Creator women -- lingering behind the veil --  |g 5.  |t Whanaungatanga; yesterday, today and tomorrow --  |g 6.  |t Postcard from Nanny Kapu; Maori maiden from the Bay of Islands, N.Z. --  |g 7.  |t Whanaungatanga; Mana Atua, Mana Whenua, Mana Tepuna --  |g 8.  |t The metaphoric three --  |g 9.  |t Otara: a place I loved --  |g 10.  |t Creation keeps happening. 
520 |a Dr Tamanui's study began as an inquiry into traditional and contemporary understandings of whanaungatanga aiming to connect a developing Māori indigenous psychology to the on-going struggle for social justice, tino rangatiratanga (absolute sovereignty), and equitable development. She brought together narrative and kaupapa (principle or theme) methodologies to collect whānau (extended Family) stories and trace whakapapa (genealogy). As she gathered these materials, she identified a gap between academic and experiential representations of whanaungatanga and took an indigenous autoethnographic approach to enable an authentic representation. Her reflexive and specific performances interweave critical-theoretical work, diverse lived experiences, and moments of intertextuality to create conceptual/spiritual reciprocity with the experiential record of love, rage, life, death, and relationships. Dr Tamanui's thesis troubles the simplistic view that we can easily grasp the connections between culture and self and explores these connections critically, to give a nuanced theoretical account of how we and our world are continually creating/created and transforming/transformed. --Book. 
546 |a Contains text in Maori. 
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