Documentation as art : expanded digital practices / edited by Annet Dekker, Gabriella Giannachi.

"Documentation as Art presents documentation as an expanded practice that is radically changing the ways in which to look at, participate in, and generate art. Bringing together expertise from different disciplines, the book provides an in-depth investigation of the development of documentation...

Full description

Saved in:
Bibliographic Details
Main Authors: Dekker, Annet (Author, Editor, Interviewer), Giannachi, Gabriella (Author, Editor)
Format: Ebook
Language:English
Published: Abingdon, Oxon ; New York, NY : Routledge, 2023.
Subjects:
Online Access:Click here to view this book

MARC

LEADER 00000czm a2200000 i 4500
005 20230601155514.0
006 m o d
006 m d
007 cr cnu---|nuuu
008 220720s2023 enka ob 001 0 eng d
010 |a  2022030382 
011 |a Z3950 Search: @or @attr 1=7 "9780367673123" @attr 1=7 "9781000785265" 
011 |a Z3950 Record: 0 of 7 
011 |a Vendor title : Documentation As Art : Expanded Digital Practices 
020 |a 1000785262  |q Internet 
020 |a 9781000785265  |q Internet 
020 |z 0367673126  |q hardcover 
020 |z 9780367673123  |q hardcover 
035 |a (MiAaPQ)EBC7123222 
035 |a (OCoLC)1341267896 
037 |a 9781003130963  |b Taylor & Francis 
040 |a DLC  |b eng  |e rda  |c DLC  |d OCLCF  |d TYFRS  |d YDX  |d UKAHL  |d Z5A 
042 |a pcc 
050 0 4 |a CD971  |b .D63 2023 
082 0 0 |a 025.84 
099 |a 025.84 DOC 
245 0 0 |a Documentation as art :  |b expanded digital practices /  |c edited by Annet Dekker, Gabriella Giannachi. 
264 1 |a Abingdon, Oxon ;  |a New York, NY :  |b Routledge,  |c 2023. 
264 4 |c ©2023 
300 |a 1 online resource (xiv, 199 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a List of figures -- List of tables -- List of contributors -- Acknowledgements -- Introduction -- The tension between static documentation and dynamic digital art / Annet Dekker -- Documentation in an age of photographic hypercirculation / Katrina Sluis -- Fifty-two weeks: a year of El Paquete Semanal, the Cuban offline Internet, and the two artists who archived it / Orit Gat -- In-game photography / Annet Dekker in conversation with Marco de Mutiis -- Documentation as a Creative Act / Annet Dekker in conversation with Matt Adams -- Challenges in the creation, perception and distribution of documentation / Sandra Fauconnier -- Leaking lands: museum documentation without digitization / Ofri Cnaani -- Digital culture: heritage, social media and documentation practices / Nour A. Munawar -- Step-and-repeat: the feed as the great flattener / Gaia Tedone in conversation with Dena Yago -- One terabyte of documentation. the circulation of GeoCities / Annet Dekker and Katrina Sluis in conversation with Olia Lialina -- The use of documentation for preservation and exhibition: the cases of SFMOMA, Tate, Guggenheim, MOMA, and LIMA / Gabriella Giannachi -- Rendering the moment. virtual reality as documentation tool for spatial kinetic artwork / Yuhsien Chen and Tzuchuan Lin -- Collecting social photo. A Nordic project in the search of sustainable methods for preserving social media as cultural heritage / Anni Wallenius -- In between performance and documentation / Dragan Espenschied -- How a guitar started to self-document its 'identity'. The future of art documentation / Steve Benford and Gabriella Giannachi -- Index. 
520 |a "Documentation as Art presents documentation as an expanded practice that is radically changing the ways in which to look at, participate in, and generate art. Bringing together expertise from different disciplines, the book provides an in-depth investigation of the development of documentation as a set of production, circulation and preservation strategies. Illustrating how these are often led by artists, audiences and museums, the contributions offer new insights into digital art and its history, curation and preservation, through documentation. Considering documentation as the main method of preserving these art forms, the book analyses how it can address the inherent challenges of capturing live events, visitor experiences, and evolving artworks. Showing how documentation itself can become (part of) an original artwork, the book discusses ways in which these expanded practices can impact the value and experience of the documented event or artwork, giving consideration to how this might affect the traditional authority of the museum as creator of documentation used for future reference, historical relevance, or cultural memory. Documentation as Art demonstrates how the curation and preservation of documentation and the introduction of audience-generated documentation is radically changing exhibition and visiting practices in which documentation is becoming a significant and emergent cultural form in its own right. The book will appeal to researchers and students engaged in the study of museums and curation, art and art history, performance, new media and digital art, library and information science, and conservation"--  |c Provided by publisher. 
545 0 |a Annet Dekker is a curator and researcher. Currently she is an assistant professorof Archival and Information Studies and Cultural Analysis at the University of Amsterdam and avisiting professor and co-director of the Centre for the Study of the Networked Image at London South Bank University. Her monograph, Collecting and Conserving Net Art (Routledge 2018), is a seminal work in the field of digital art conservation. Gabriella Giannachi is a professor of Performance and New Media at the University of Exeter, UK. She has published a number of books including Virtual Theatres (2004); The Politics of New Media Theatre (2007); Archaeologies of Presence, co-edited with Michael Shanks and Nick Kaye (2012); Histories of Performance Documentation, co-edited with Jonah Westerman (2017); and Technologies of the Self-Portrait (2022). 
588 |a Description based on online resource; title from digital title page (viewed on November 21, 2022). 
650 0 |a Digital preservation.  |9 328410 
650 0 |a Documentation.  |9 316782 
650 0 |a Web archiving.  |9 340815 
650 0 |a Digital media  |x Social aspects.  |9 630336 
650 0 |a Memory  |x Social aspects.  |9 630271 
650 0 |a Multimedia (Art)  |x Preservation.  |9 780102 
650 0 |a New media art  |x Preservation.  |9 780105 
650 0 |a Computer art  |x Preservation.  |9 780109 
650 0 |a Computer art  |x Conservation and restoration. 
650 0 |a Art  |x Conservation and restoration.  |9 775137 
700 1 |a Dekker, Annet,  |e editor,  |e author,  |e interviewer.  |9 906462 
700 1 |a Giannachi, Gabriella,  |e editor,  |e author.  |9 1051880 
776 0 8 |i Print version:  |t Documentation as art  |d New York : Routledge, 2023  |z 9780367673123  |w (DLC) 2022030381 
856 4 0 |z Click here to view this book  |u https://ebookcentral.proquest.com/lib/AUT/detail.action?docID=7123222 
942 |c EB 
999 |c 1750876  |d 1750876 
Availability
Requests
Request this item Request this AUT item so you can pick it up when you're at the library.
Interlibrary Loan With Interlibrary Loan you can request the item from another library. It's a free service.