Affects in 21st-century British theatre : exploring feeling on page and stage / Mireia Aragay, Cristina Delgado-García, Martin Middeke, editors.
This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and mor...
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Other Authors: | , , |
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Format: | Ebook |
Language: | English |
Published: |
Cham, Switzerland :
Palgrave Macmillan,
[2021]
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Subjects: | |
Online Access: | Springer Humanities and Social Science eBook Collection 2021 English/International |
Table of Contents:
- 1. Chapter 1: Introduction: Thinking-Feeling our Way; Mireia Aragay (University of Barcelona), Cristina Delgado-García (University of Glasgow) and Martin Middeke (University of Augsburg)
- 2. Chapter 2: 'Feel and Think, Think and Feel: Complicating Empathy in debbie tucker green's hang; Mireia Aragay (University of Barcelona)
- 3. Chapter 3: Moving Parts: Emotion, Intention and Ambivalent Attachments; Clare Wallace (Charles University, Prague)
- 4. Chapter 4: Love and the Intentionality of Affect in Lucy Prebble's The Effect and debbie tucker green's a profoundly affectionate, passionate devotion to someone (-noun); Korbinian Stöckl (University of Augsburg)
- 5. Chapter 5: Political Dramaturgies of Affect: Anthony Neilson's God in Ruins and The Wonderful World of Dissocia; Liz Tomlin (University of Glasgow)
- 6. Chapter 6: Black Lives, Black Words at the Bush Theatre: Art, Anger, Affect and Activism; Lynette Goddard (Royal Holloway, University of London)
- 7. Chapter 7: 'Feeling Feminism': Politics of Mischief in Contemporary Women's Theatre; Marissia Fragkou (Canterbury Christ Church University)
- 8. Chapter 8: Contemporary British Theatre, Democracy and Affect: States of Feeling; Cristina Delgado-García (University of Glasgow)
- 9. Chapter 9: Affect and the Politics of Abstraction in British New Writing; Philip Watkinson (University of Winchester)
- 10. Chapter 10: Vibrant Materials: Affective Arrangements, the Allure of Glamour and Architexture(s) in Penelope Skinner's Eigengrau and Mike Bartlett's Game; Martin Middeke (University of Augsburg)
- 11. Chapter 11: Entanglements: Transaction and Intra-Action with the Devil in How to Hold Your Breath; Julia Boll (Konstanz University)
- 12. Chapter 12: Theatre at the End of the World; Mark Robson (University of Dundee)
- 13. Chapter 13: Affects and the Development of Political Subjectivity: From Resilience to Agency in Kate Tempest's Wasted; Clara Escoda (University of Barcelona).