Arts and power : policies in and by the arts / Lisa Gaupp, Alenka Barber-Kersovan, Volker Kirchberg, editors.
The focus on concepts of power and domination in societal structures has characterized sociology since its beginnings. Max Webers definition of power as "imposing ones will on others" is still relevant to explaining processes in the arts, whether their production, imagination, communicatio...
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| Other Authors: | , , |
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| Format: | Ebook |
| Language: | English |
| Published: |
Wiesbaden :
Springer VS,
2022.
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| Series: | Kunst und Gesellschaft (Wiesbaden, Germany).
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| Subjects: | |
| Online Access: | Springer Humanities and Social Science eBook Collection 2022 English/International |
Table of Contents:
- Power and Policies in and by the Arts-Introduction
- Part I Establishing and De-Establishing Power in the Arts
- Repurposing the Black Arts Movement on the South Side of Chicago
- The ArtReview's Power 100: On the Concept and the Constitution of Power in Contemporary Art
- How Organisations Exercise Power Through Peer Review: A Case Study from Contemporary Art Music
- Art Perception and Power. A Plea for Relational Sociological Aesthetics
- Art Organisations and Their Visitors. About Standardisation Methods of Non-members
- Part II The arts and the power of social structures
- Equality, History, Tradition: Gender-Political Issues in the Oxford Collegiate Choral Scene
- “When She Talks, I Hear the Revolution”: Pop Feminism
- Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artistic Fields and Visual Culture
- On the History of the Blues in the Field of Music Production in the United States Beginning in the 20th Century: A Field Theoretical Approach
- "It's Almost like Greeting"—Artistic Development Projects and Value Making of Traditional Art Practices in Ugandan Civil Society
- Part III The Arts and the Dominance of Politics and Economic Order
- Art Politics’ Tendencies of the Documenta Exhibition Series
- The Aesthetic Subversion of Cultural Posters—Examples from the Former People’s Republic of Poland
- "The Dead are Coming". Contemporary Interventionist Art, Political Beauty, and the Power of Reason
- Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration
- Who Plays? an Analysis of Musicians’ Global Mobility in the World Music Market.