Appropriating antiquity for modern Chinese painting / Chia-ling Yang.
The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book questions the extent to which historical relics have been used to represent...
Saved in:
| Main Author: | |
|---|---|
| Format: | Ebook |
| Language: | English |
| Published: |
New York, NY :
Bloomsbury Visual Arts, Bloomsbury Publishing,
2023.
|
| Subjects: | |
| Online Access: | Click here to view this book |
Table of Contents:
- Jinshixue and Cultural Landscape in the Lower Yangtze River
- Illustrated Records of Investigating Steles
- The Stele School and Re-evaluation of Bafenshu
- A Revival of Pre-Tang Scripts and its Impact on Art
- New Look of Collectors' Accumulated Antiquities
- Dashou and Composite Rubbing
- Intertextual and Transmedia Approaches
- From Evidential Learning to Festive Offering
- Prelude to Jinshi Art
- Dimension of Mobility in Wartime
- Life of Jinshi Objects after the Taiping Rebellions
- Antiquarian Approaches to Seal Carving
- New Brush Mode Derived from Northern Wei Calligraphy
- Jinshi Characteristics in Painting
- Archaeological Elements in Commercial Art and Popular Culture
- Evidential Learning and the Culture of Investigating Nature: From Bogu to Bowu
- Tradition of Miscellaneous Painting
- Illustrations of Local Resources
- Natural History Paintings Made in China
- Historification of Translated Modernity
- Translating Bowu into National Essence
- Another Role of Jinshi Society: Shanghai Tijinguan Epigraphy, Calligraphy and Painting Society (1911-26)
- Defining Literati Painting Through Jinshi: Society of the Virtuous (1912-42)
- Reclaiming Cultural Identity: Society of Cang Jie Study (1916-c. 1941)
- Jinshi Society as Museum or Art Market?
- Political Use of Jinshi: Re-writing History with Archaic Models.