The Palgrave handbook of popular culture as philosophy.

"Much philosophical work on pop culture apologises for its use; using popular culture is a necessary evil, something merely useful for reaching the masses with important philosophical arguments. But works of pop culture are important in their own right--they shape worldviews, inspire ideas, cha...

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Format: Ebook
Language:English
Published: [Cham] : Palgrave Macmillan, [2019]
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Online Access:Springer eBooks

MARC

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505 0 0 |t 2001 as Philosophy: A Technological Odyssey /  |r Jerold J. Abrams --  |t A Serious Man as Philosophy: The Elusiveness of Moral Knowledge /  |r Shai Biderman --  |t A.I.: Artificial Intelligence as Philosophy: Machine Consciousness and Intelligence /  |r David Gamez --  |t Amy Schumer as Philosopher: Fuck the Feminine Mystique /  |r Charlene Elsby --  |t Arrested Development as Philosophy: Family First What We Owe Our Parents? /  |r Kristopher G. Phillips --  |t Asterios Polyp as Philosophy: Master of Two Worlds /  |r Bradley Richards --  |t Avatar as Philosophy: The Metaphysics of Switching Bodies /  |r Joshua L. Tepley --  |t Battlestar Galactica as Philosophy: Breaking the Biopolitical Cycle /  |r Jason T. Eberl, Jeffrey P. Bishop --  |t Black Mirror as Philosophy: A Dark Reflection of Human Nature /  |r Chris Lay --  |t Black Sails as Philosophy: Pirates and Political Discourse /  |r Clint Jones --  |t Blade Runner as Philosophy: What Does It Mean to Be Human? /  |r Timothy Shanahan --  |t Breaking Bad as Philosophy /  |r David Koepsell --  |t Cyberpunk 2077 as Philosophy: Balancing the (Mystical) Ghost in the (Transhuman) Machine /  |r Chris Lay --  |t Dave Chappelle As Philosopher: Standing Up to Racism /  |r Steven A. Benko, R. Scout Burch --  |t Deadpool as Philosophy: Using Humor to Rebel Against the System /  |r Matthew Brake --  |t Deadpool’s Killogy as Philosophy: The Metaphysics of a Homicidal Journey Through Possible Worlds /  |r Tuomas W. Manninen --  |t Detroit Become Human as Philosophy: Moral Reasoning Through Gameplay /  |r Kimberly S. Engels, Sarah Evans --  |t Disco Elysium as Philosophy: Solipsism, Existentialism, and Simulacra /  |r Diana Khamis --  |t Doctor Who as Philosophy: Four-Dimensionalism and Time Travel /  |r Kevin S. Decker --  |t Don’t Look Up as Philosophy: Comets, Climate Change, and Why the Snacks Are Not Free /  |r Chris Lay, David Kyle Johnson --  |t Ex Machina as Philosophy: Mendacia Ex Machina (Lies from a Machine) /  |r Jason David Grinnell --  |t Fight Club as Philosophy: I Am Jack’s Existential Struggle /  |r Alberto Oya --  |t Firefly as Philosophy: Social Contracts, Political Dissent, and Virtuous Communities /  |r Dean A. Kowalski --  |t Frank Herbert’s Dune as Philosophy: The Need to Think for Yourself /  |r Greg Littmann --  |t Frank Miller’s Batman as Philosophy: “The World Only Makes Sense When You Force It To” /  |r Steve Bein --  |t From Hell as Philosophy: Ripping Through Structural Violence /  |r James Rocha, Mona Rocha --  |t Futurama as Philosophy: Wisdom from the Ignorance of a Delivery Boy /  |r Courtland D. Lewis --  |t Game of Thrones as Philosophy: Cynical Realpolitiks /  |r Eric J. Silverman, William Riordan --  |t Gattaca as Philosophy: Genoism and Justice /  |r Jason D. Grinnell --  |t George Carlin as Philosophy: It’s All Bullshit. Is It Bad for Ya? /  |r Kimberly S. Engels --  |t God’s Not Dead As Philosophy: Trying to Prove God Exists /  |r David Kyle Johnson --  |t Grey’s Anatomy as Philosophy: Ethical Ambiguity in Shades of Grey /  |r Kimberly S. Engels, Katie Becker --  |t Groundhog Day as Philosophy: Phil Connors Says “No” to Eternal Return /  |r Kimberly Blessing --  |t Hannah Gadsby as Philosopher: Is Comedy Really Such a Good Thing? /  |r Mark Ralkowski --  |t Hari Kondabolu as Philosopher: Enacting a Philosophy of Liberation /  |r Brandyn Heppard --  |t Harry Potter as Philosophy: Five Types of Friendship /  |r James M. Okapal --  |t Hasan Minhaj as Philosopher: Navigating the Struggles of Identity /  |r Pankaj Singh --  |t House of Cards as Philosophy: Democracy on Trial /  |r Brendan Shea --  |t Inception as Philosophy: Choose Your Dreams or Seek Reality /  |r David Kyle Johnson --  |t Jerry Seinfeld as Philosopher: The Assimilated Sage of New Chelm /  |r Stephen Stern, Steven Gimbel --  |t Journey as Philosophy: Meaning, Connection, and the Sublime /  |r Russ Hamer --  |t Larry David as Philosopher /  |r Noël Carroll --  |t Last Week Tonight as Philosophy: The Importance of Jokalism /  |r Christelle Paré --  |t Little Women as Philosophy: Death or Marriage and the Meaning of Life /  |r Kimberly Blessing --  |t Louis C. K. as Philosopher: The King and His Fall /  |r Jennifer Marra Henrigillis --  |t Magnolia As Philosophy: Meaning and Coincidence /  |r Bart Engelen --  |t Marc Maron as Philosopher: Comedy, Therapy, and Identification /  |r Steven S. Kapica --  |t Midnight Mass as Philosophy: The Problems with Religion /  |r David Kyle Johnson --  |t Mister Rogers’ Neighborhood as Philosophy: Children as Philosophers /  |r David Baggett --  |t Okja as Philosophy: Why Animals Matter /  |r Randall M. Jensen --  |t Papers, Please as Philosophy /  |r Juliele Maria Sievers --  |t Persona 5 Royal as Philosophy: Unmasking (Persona)l Identity and Reality /  |r Alexander Atrio L. Lopez, Leander Penaso Marquez --  |t Phoebe Waller-Bridge as Philosopher /  |r Neha Pande, Kimberly S. Engels --  |t Planescape: Torment as Philosophy: Regret Can Change the Nature of a Man /  |r Steven Gubka --  |t Pulp Fiction as Philosophy: Bad Faith, Authenticity, and the Path of the Righteous Man /  |r Bradley Richards --  |t Richard Pryor as Philosopher: Stand-Up Comedy and Gramsci’s Organic Intellectual /  |r Cori Hall Healy --  |t Rick & Morty as Philosophy: Nihilism in the Multiverse /  |r Sergio Genovesi --  |t Ricky Gervais As Philosopher: The Comedy of Alienation /  |r Catherine Villanueva Gardner --  |t Russian Doll as Philosophy: Life Is Like a Box of Timelines /  |r Richard Greene --  |t Snowpiercer as Philosophy: The Danger to Humanity /  |r Leander Penaso Marquez --  |t South Park as Philosophy: Blasphemy, Mockery, and (Absolute?) Freedom of Speech /  |r David Kyle Johnson --  |t Squid Game as Philosophy: The Myths of Democracy /  |r Leander Penaso Marquez, Rola Palalon Ombao --  |t Star Trek as Philosophy: Spock as Stoic Sage /  |r Massimo Pigliucci --  |t Star Trek: The Next Generation as Philosophy: Gene Roddenberry’s Argument for Humanism /  |r Kevin S. Decker --  |t Star Wars as Philosophy: A Genealogy of the Force /  |r Jason T. Eberl --  |t Stephen Fry as Philosopher: The Manic Socrates /  |r Christopher M. Innes --  |t Tarantino As Philosopher: Vengeance – Unfettered, Uncensored, but Not Unjustified /  |r David Kyle Johnson --  |t Tenet as Philosophy: Fatalism Isn’t an Excuse to Do Nothing /  |r Lance Belluomini --  |t The Big Lebowski: Nihilism, Masculinity, and Abiding Virtue /  |r Peter S. Fosl --  |t The Cabin in the Woods as Philosophy: Cinematic Reflections on Ethical Complexity, Human Nature, and Worthwhile Horror /  |r Dean A. Kowalski --  |t The Doctor as Philosopher: The Collectivist-Realist Pacificism of the Doctor and the Quest for Social Justice /  |r Paula Smithka --  |t The Godfather as Philosophy: Honor, Power, Family, and Evil /  |r Raymond Angelo Belliotti --  |t The Good Place as Philosophy: Moral Adventures in the Afterlife /  |r Kimberly S. Engels --  |t The Handmaid’s Tale as Philosophy: Autonomy and Reproductive Freedom /  |r Rachel Robison-Greene --  |t The Joker as Philosopher: Killing Jokes /  |r Matthew Brake --  |t The Last of Us as Moral Philosophy: Teleological Particularism and Why Joel Is Not a Villain /  |r Charles Joshua Horn --  |t The Legend of Zelda: Breath of the Wild as Philosophy: Teaching the Player to be Comfortable Being Alone /  |r Chris Lay --  |t The Lord of the Rings as Philosophy: Environmental Enchantment and Resistance in Peter Jackson and J.R.R. Tolkien /  |r John F. Whitmire Jr, David G. Henderson --  |t The Man from Earth as Philosophy: The Desirability of Immortality /  |r Kiki Berk --  |t The Mandalorian as Philosophy: “This Is the Way” /  |r Lance Belluomini --  |t The Matrix as Philosophy: Understanding Knowledge, Belief, Choice, and Reality /  |r Edwardo Pérez --  |t The Orville as Philosophy: The Dangers of Religion /  |r Darren M. Slade, David Kyle Johnson --  |t The Shawshank Redemption as Philosophy: Freedom and Panopticism /  |r Alexander E. Hooke --  |t The Walking Dead as Philosophy: Rick Grimes and Community Building in an Apocalypse /  |r Clint Jones --  |t The Witness as Philosophy: How Knowledge Is Constructed /  |r Luke Cuddy --  |t The X-Files as Philosophy: Navigating the “Truth Out There” /  |r Dean A. Kowalski --  |t Tom Sawyer as Philosopher: Lying and Deception on the Mississippi /  |r Don Fallis --  |t Twilight Zone as Philosophy 101 /  |r Mimi Marinucci --  |t Up in the Air as Philosophy: Buddhism and the Middle Path /  |r Leigh Duffy -- 
505 8 0 |t V for Vendetta as Philosophy: Victory Through the Virtues of Anarchy /  |r Clara Nisley --  |t Watchmen as Philosophy: Illustrating Time and Free Will /  |r Nathaniel Goldberg, Chris Gavaler --  |t Westworld as Philosophy: A Commentary on Colonialism /  |r Matthew P. Meyer --  |t Yes, Roya and Philosophy /  |r Nathaniel Goldberg, Chris Gavaler, Maria Chavez. 
520 |a "Much philosophical work on pop culture apologises for its use; using popular culture is a necessary evil, something merely useful for reaching the masses with important philosophical arguments. But works of pop culture are important in their own right--they shape worldviews, inspire ideas, change minds. We wouldn't baulk at a book dedicated to examining the philosophy of The Great Gatsby or1984--why aren't Star Trek and Superman fair game as well? After all, when produced, the former were considered pop culture just as much as the latter. This will be the first major reference work to right that wrong, gathering together entries on film, television, games, graphic novels and comedy, and officially recognizing the importance of the field. It will be the go-to resource for students and researchers in philosophy, culture, media and communications, English and history and will act as a springboard to introduce the reader to the other key literature in the field."--Publisher's website. 
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