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  1. 61
    by Ingram, Simon
    Published 2004
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    Simon Ingram : towards a painting that thinks /
  2. 62
    by Woollaston, Toss, 1910-1998
    Published 1973
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    M.T. Woollaston, works 1933-1973.
  3. 63
    by Cross, Mark, 1955-
    Published 1994
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    Mark Cross.
  4. 64
    Published 2004
    DVD/Blu-Ray
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    Colin McCahon : I am.
  5. 65
    by Te Ratana, Saffronn
    Published 2002
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    Saffronn Te Ratana : Te Wahapu Matatau:mmva@toiho.02 : masters exhibition, 19-30 November 2002, Ferner Galleries City.
  6. 66
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    Think colour : art is never just black & white /
  7. 67
    by Fyffe, Hannah
    Published 2002
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    Warwick Henderson Gallery : summer catalogue 2002-2003.
  8. 68
    Published 2002
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    Second exposure, second exposure : contemporary art in North Shore City.
  9. 69
    by Gregory, Nuala
    Published 1999
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    Portrait of Julia : an exhibition of paintings by Nuala Gregory, 29 October- 28 November 99 /
  10. 70
    Published 1989
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    Richard Killeen : lessons in lightness.
  11. 71
    Published 1993
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    Saved in:
    Gordon Crook.
  12. 72
    by Hall-Jones, John
    Published 1992
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    John Turnbull Thomson : first surveyor-general of New Zealand /
  13. 73
    by Goodwin, D. B. G.
    Published 2007
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    Calf club daze : new paintings /
  14. 74
    by Te Waru Rewiri, Kura
    Published 2002
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    New paintings 2002 : exhibition [held at] Ferner Galleries, Parnell 5 -17 August 2002.
  15. 75
    by Wood, Agnes
    Published 1997
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    Colin McCahon : the man and the teacher /
  16. 76
    Published 1983
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    The Grid : lattice and network.
  17. 77
    Published 2007
    DVD/Blu-Ray
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    Flightless : Bill Hammond's cure for being Kiwi /
  18. 78
    by McCahon, Colin
    Published 1999
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    McCahon : a view from Urewera /
  19. 79
    by Cape, Peter
    Published 1979
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    New Zealand painting since 1960 : a study in themes and developments /
  20. 80
    by Suniula, Vatiuni Nathaniel
    Published 2006
    Thesis
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    The disrupted field : an art exploration through painting of the field as subject : this exegesis is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Art and Design in the year 2006.
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