Academic Journal
Głos jako tworzywo postaci operowej. Historyczny zarys wokalnej typologii głosów.
| Title: | Głos jako tworzywo postaci operowej. Historyczny zarys wokalnej typologii głosów. (Polish) |
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| Authors: | Kicińska, Hanna |
| Source: | Poznańskie Studia Polonistyczne. Seria Literacka; 2022, Vol. 42, p57-76, 20p |
| Abstract: | This study presents the historical range of topics related to the typology of singing voices and how they are linked to the character constituting the building material of an operatic character. This six-part overview presents the subsequent stages of the formation of the status and role of particular voices in the theory and practice of musical performance, with particular emphasis on specific vocal phenomena key to the development of operatic and solo singing: the so-called covering, haute-contre, bass-baritone and boy soprano. The reason behind the diachronic presentation of the vocal terms is to order and systematise the transformations that vocal practice, musical nomenclature and musical performance have undergone over the centuries. [ABSTRACT FROM AUTHOR] |
| Alternate Title: | Voice as the Material of an Operatic Character. A Historical Overview of Vocal Typology of Voices. (English) |
| Copyright of Poznańskie Studia Polonistyczne. Seria Literacka is the property of Adam Mickiewicz University Poznao, Press of "Poznanskie Studia Polonistyczne" and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| ISSN: | 12338680 |
| DOI: | 10.14746/pspsl.2022.42.4 |
| Database: | Complementary Index |
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