Academic Journal

Nobody Likes Ike: The National Civic Art Society and Commemorative Containment in Washington, D.C.

Bibliographic Details
Title: Nobody Likes Ike: The National Civic Art Society and Commemorative Containment in Washington, D.C.
Authors: Keohane, Jennifer1 jkeohane@ubalt.edu
Source: Southern Communication Journal. Jan-Mar2023, Vol. 88 Issue 1, p40-52. 13p. 1 Color Photograph.
Abstract: This essay explores the history of the Eisenhower Memorial in Washington, D.C. as a lens on the shifting nature of U.S. public memory. The National Civic Art Society (NCAS) opposed the memorial plans in a vitriolic report. I argue that the NCAS seeks to regain control of D.C.'s memorial landscape via commemorative containment. Their rhetoric on the memorial emphasizes scarcity, suggesting only certain commemoration is appropriate. In narrating Eisenhower's biography, attacking the process, and defining citizenship as obedience, the NCAS report commemoratively contains the memorial. Doing so centers whiteness and limits the multiplicity of stories told on the National Mall. [ABSTRACT FROM AUTHOR]
Subject Terms: Art associations, Municipal art, Collective memory, Memorials, Presidents of the United States
Company/Entity: Eisenhower National Memorial Arena (Washington, D.C.)
People: Eisenhower, Dwight D. (Dwight David), 1890-1969
Copyright of Southern Communication Journal is the property of Southern States Communication Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
ISSN: 1041794X
DOI: 10.1080/1041794X.2022.2121002
Database: Communication & Mass Media Complete
Full text is not displayed to guests.