Social sculpture and the thirsting millions: an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art and Design (MA&D), 2013 / Tom Turner.
This project explores the fissures and junctures between the utopian propositions that everyone has equal intelligence, that everyone is an artist, and that there is an art that the people can call their own. The project re-examines the tensions that exist between the high art world and the public,...
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| Format: | Ethesis |
| Language: | English |
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| Online Access: | Click here to access this resource online |
| Summary: | This project explores the fissures and junctures between the utopian propositions that everyone has equal intelligence, that everyone is an artist, and that there is an art that the people can call their own. The project re-examines the tensions that exist between the high art world and the public, focussing on the potentials that might occur if these tensions were bridged using social sculpture and emancipatory discourse theories of Joseph Beuys, Jacques Ranciere et.al. These concepts are surveyed by means of participatory events and discourse, locating the events in diverse sites across New Zealand in order to test their capacity to function in the current cultural and art worlds. Author supplied keywords: Emancipation; Dialogical art; Participatory art; Everyone is an artist; What is art; Freedom. |
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| Physical Description: | 1 online resource Also held in print (46 pages : illustrations ; 30 cm) in off-campus storage, box 201. |
| Bibliography: | Includes bibliographical references. |