Architecture, philosophy and the pedagogy of cinema : from Benjamin to Badiou / Nadir Lahiji.
"Philosophers on the art of cinema mainly remain silent about architecture. Discussing cinema as 'mass art', they tend to forget that architecture, before cinema, was the only existing 'mass art'. In this work author Nadir Lahiji proposes that the philosophical understanding...
I tiakina i:
| Kaituhi matua: | |
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| Hōputu: | iPukapuka |
| Reo: | English |
| I whakaputaina: |
Abingdon, Oxon ; New York :
Routledge,
2021.
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| Ngā marau: | |
| Urunga tuihono: | Click here to view this book |
| Whakarāpopototanga: | "Philosophers on the art of cinema mainly remain silent about architecture. Discussing cinema as 'mass art', they tend to forget that architecture, before cinema, was the only existing 'mass art'. In this work author Nadir Lahiji proposes that the philosophical understanding of the collective human sensorium in the apparatus of perception must once again find its true training ground in architecture. Building art puts the collective mass in a position of 'expert critic', who identifies themselves with the technical apparatus. Only then can architecture regain its status as 'mass art' and, as the book contends, only then can it resume its function as the only 'artform' that is designed for the political pedagogy of masses, which originally belonged to it in modernity before the invention of cinema"-- |
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| Whakaahuatanga ōkiko: | 1 online resource : illustrations |
| Rārangi puna kōrero: | Includes bibliographical references and index. |
| ISBN: | 1000392104 9781000392104 |