Reassemblage.
Women are the focus but not the object of Trinh T. Minh-ha’s influential first film, a complex visual study of the women of rural Senegal. Through a complicity of interaction between film and spectator, REASSEMBLAGE reflects on documentary filmmaking and the ethnographic representation of cultures....
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| Format: | Streaming video |
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| Language: | English |
| Published: |
[San Francisco, California, USA] :
Women Make Movies,
1982.
Kanopy Streaming, 2019. |
| Subjects: | |
| Online Access: | A Kanopy streaming video Cover Image |
| Summary: | Women are the focus but not the object of Trinh T. Minh-ha’s influential first film, a complex visual study of the women of rural Senegal. Through a complicity of interaction between film and spectator, REASSEMBLAGE reflects on documentary filmmaking and the ethnographic representation of cultures. Official Selection at the **New York Film Festival**. *“Superbly crafted and visually exquisite, Reassemblage is also a work of film criticism—one that plays with the qualities of film itself. In its form and content, it critiques both western science and documentary traditions.” - Pat Aufderheide, **Village Voice*** |
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| Item Description: | Title from title frames. Film In Process Record. |
| Physical Description: | 1 online resource (streaming video file) (40 minutes): digital, .flv file, sound |
| Format: | Mode of access: World Wide Web. |